Friday, October 14, 2016

A Lovecraftian Tale, The Tablet of Teh Ri'teth

For the penultimate day of October Frights, I have a short story (1895 words). I penned it in a matter of hours without any idea where it was going, other than death. I did a little revising: changing the end to a Hammer Horror style twist and adjusting the beginning accordingly. It's inspired by H.P. Lovecraft's style, including the made up ancient civilization and the first person narrator telling the tale directly to the reader. So here it is.

THE TABLET OF TEH RI'TETH

I didn’t kill him. You know I could never have done such a thing. Yes, I was at his house the day he vanished, and I can remember it all clearly.
It was on a day much like today: there was a chill in the air, tainted with the pleasing aroma of wood smoke and the sparkle of frost. All of the aspen trees along Byre Street were saturated with yellow. Their yellow stained the street with great drifts and spatters of death. I hate yellow.
I didn’t then. It put me in a cheery mood as I walked between the looming aspens past the rows of old brick townhouses. Yellow everywhere. Bright as the sunshine. My breath spewed out before me in a crystalline cloud, glowing in the late afternoon.
At the end of Byre Street is where Wentham’s house used to be. Wentham and I had struck up a friendship earlier that month at the Bryndle Club in Bamberg. We were both intrigued with the occult, you see. Yes, I was. Terribly intrigued. Those funny runes and tablets had just been discovered in the Paerth Hills. Do you remember the fuss the papers made, if briefly? They were dismissed as fraud, an archeological prank. The things have since disappeared. Wentham was convinced they were artifacts of a forgotten religion and had tantalized me with his theories.
Naturally, I accepted his invitation to come and see the tablet he had acquired for his private collection of historical and occult objects.
Wentham’s house was unassuming, charming, even. It was slightly larger than the rest of the Byre Street domiciles and had a circular tower. It was all brick, with a yellow door.
Wentham himself answered when I rang, wearing a burgundy dressing gown.
“Lowell!” he said jovially. “Do come in. Bloody cold out there.” I don’t know if you ever met Wentham, but he was the kind of man who filled a room with his presence. His baritone carried well and he often used it to dominate conversation. Yet he was always considerate, making sure to include everyone and let them have a turn, however brief. His dark green eyes sparkled from the shadows of his heavy black brow with a burning intelligence and passion.
I followed him through a regal but dusty hall to a messy sitting room where he poured me a hot cider. I sipped it as I glanced around at the clutter: dirty dishes piled up between the disarranged sofa pillows and books.
“Sorry about the mess,” Wentham said, “the maid vanished last month and I haven’t found a replacement.” He chuckled. I thought there was something like nervousness beneath it, but he had moved on before I could think about it. “But you came to see the tablet of Teh Ri’teth, not chat.”
I shivered involuntarily. “Tablet of what?” I asked.
“Teh Ri’teth,” Wentham said, licking his lips. I shivered again, despite the warmth and the hot cider in my hand.
“How do you—where—” I began.
“It says right on it,” Wentham said. “I’ll show you.” He strode across the sitting room towards a mahogany door.
“But no one’s been able to match the runes to any known alphabet!” I protested, following more slowly to avoid spilling my cider.
“I cracked it,” Wentham said, pulling out a key and unlocking the door.
“How?” I asked.
Wentham pushed open the door and disappeared inside. I followed, any further questions dying on my lips. Wentham had a veritable museum. Glass cases lined the room, filled with glittering, numinous items. They were a bit dusty and draped in cobwebs, but that only intensified their mystery. The last rays of the setting sun illumed the gossamer threads and twinkled on the aerial dust motes. A strange, indescribable odor assailed my nostrils, something ancient and dark.
Wentham was already at the far end of the room, before a broken case. He kicked a white rag that lay before it into the corner and turned to look at me, chest puffing proudly as I gazed about in awe.
The case closest to me held a mummified head, draped in turquoise beads. The next one displayed an ancient bronze bowl, marked with druidic symbols. Further down I could see a set of Egyptian instruments that I knew were used in the Opening of the Mouth.
“This is fabulous,” I whispered, excited despite the irrational sense of dread that was beginning to lurk around the shadowy edges of the room.
“Come see it,” Wentham said, a little impatiently. I was suddenly reluctant to approach him, but my curiosity won me over and I joined him in front of the broken case. The object inside it was covered with a black velvet cloth. The strange odor was stronger now. I eyed the broken glass with unease.
“What happened?”
“Clumsiness,” Wentham said, reaching out slowly for the black velvet. I saw that his hand, lit up by the last sunbeam, was shaking. A whispery rasp slithered through my ears and I looked around the shadowy corners.
“What’s that? Do you have a gas leak?” I asked.
“Look!” Wentham snapped, whipping off the black velvet. I gasped.
I had seen pictures of the tablets, of course, but it was entirely different to see it in person. An aesthete would call it ugly. All yellowy, slimy-looking stone, marred with hideous scratch-like runes of a shivery nature. In person it seemed to ooze before my very eyes, the runes shimmering and coiling. And that strange odor. It filled my nostrils and spun my head in sickening circuits. I blinked and tried to get a fix on the horrible tablet. Surely my eyes were playing tricks on me? Perhaps it was too warm in this arcane museum.
When I later spoke to a museum curator who had briefly had one of the tablets in his care, he described the same sensations in its presence.
“Isn’t it beautiful?” Wentham breathed reverently. I clutched my cider mug tighter as a shiver passed through me and the whispery rasp hissed through the room. “Teh Ri’teth.” I jumped, looking about the room in terror before I realized that it was only Wentham who had spoken the legerdemain words. Cider dripped down my mug and through my fingers. It was growing dark in the room as twilight fell softly outside.
“He ruled the skies in old days when blood ran free in the hills of Paerth,” Wentham whispered softly. The rasping and odor mounted, humming in an ominous undercurrent. “Each night he poured his colour into the earth and each day he slept in glory. Each month a sacrifice was made to his lordship. A life was given to appease.”
“How do you know this?” I asked, shuddering. My cider rippled.
“It reads thus,” he said, pointing at the tablet’s squirming runes. “It tells of his glory, his victories, his power.”
“But how can you read it?” I asked.
The rasping in my ears coughed a little, like a chuckle. The writhing runes on the breathing tablet seemed to jump.
“I heard it,” Wentham said, turning to look at me.
“Heard it?” I asked, tearing my eyes away from the hideous stone. The green eyes of Wentham were a relief, anchoring me again in reality. The whispers and odors of the strange room seemed to fade.
“I didn’t leave this room for days,” Wentham said. “I was intent on understanding the alphabet. I fell asleep at last and in my dreams…I heard him.”
I frowned, dizzying again as the odor returned to assault my nose and sicken my stomach.
“He requires a sacrifice each month,” Wentham said, licking his lips nervously. “It’s been a month.” His eyes flickered to the corner where he’d kicked the white rag. I turned my head to peer into the darkness and had just made out the rumpled form of a maid’s mobcap when Wentham grabbed my wrist.
I tried to jerk away, but his grip was iron. The cider in my other hand splashed down my arm and I yelped, dropping the mug. Warm apple singed the air. The mug crashed to the floor, shattering among the shadows. Wentham pulled me towards the case. He’d been expecting resistance, but I was too startled from the spilled cider. Wentham stumbled back and threw out a hand to steady himself.
His palm landed on a shard of glass on the broken case’s pedestal. I nearly slammed into him, but his inhuman scream seemed to repel me and I staggered away, staring as he held up his bleeding hand. A crimson drop fell on the repulsive tablet. It soaked into the runes and vanished.
Wentham turned and looked at me, his eyes wide and pale. His once dark green eyes, now pale.
A scream stuck in my throat.
“This is how it began,” Wentham said softly, childish fear in his voice. “Margaret, the maid. She was cleaning in here. Clumsy. Her blood. Poor Margaret. Then it started to talk to me.” Yellow tears were dripping from his pale eyes.
I took a step back as Wentham trembled and the rasping increased in volume, throbbing through the room like a viscous chant. The odor burned in my head and the shadows seemed to leap about like dervishes. The tablet grew brighter and brighter, chasing the shadows away.
“At night he poured his colour into the earth,” Wentham rasped in an alien voice, coarse and horrifying. His eyes were yellow and he was shaking violently, his hand dripping blood down his burgundy dressing gown.
The violent rasping pulsed into my ears, growing to a roar, and this time, I could hear the words. “Teh Ri’teth!” the stone shuddered in the broken case, yellow and laughing. Wentham screamed, yellow and bleeding.
I fled. The odor singed my nose and the rasping seared my ears and the yellow lapped at my heels. I ran out onto the street but I couldn’t escape the yellow. His colour was in the earth. I ran.
I ran until I could run no more. I collapsed on the safe stones of a bridge. I awoke there in the morning, with a constable looking down at me. I took him at once to Byre Street, although he was skeptical as I didn’t tell him what he would find. I waited outside, refusing to enter when he urged me to lead the way.
I shivered in the yellow as he vanished into the house, wondering if I’d sent him to his doom.
He returned, proclaiming the house empty. I asked him about the broken case. It was empty, a burgundy dressing gown lying on the floor before it.
They looked everywhere for Wentham. Nothing could be found, but there was blood on his dressing gown and on the broken glass. They investigated me, as you know, and eventually concluded that I had murdered the poor fellow. Fortunately, I was able to appeal my case and avoid the gallows.
I’m ever so grateful for your visits, you know. Please don’t say that I’m crazy. That’s what they all say, that’s why I’m here instead of dead. But I know what I saw.
If you go to the place where Wentham’s house used to be—they tore it down, you know—you’ll smell that ancient dark odor. You’ll see the barren earth, yellow with his colour.


If you liked the story, but prefer lighter fare, you might look into preordering
Ambulatory Cadavers: A Regency Zombie Novel on Amazon. You can also find my steampunk mythology books through my website, where you can also download a free song that goes along with book two of the Weather Casters Saga.

And/or explore the rest of the hop below!


Thursday, October 13, 2016

The Infested Palace (Make Your Own Adventure Game)!

  Day Four of October Frights!
  I consider this a fairly ambitious project. Though it actually wasn't as hard as I'd imagined. It jusy took a LONG time to link everything together. I was inspired by a story by Garth Nix: Down to the Scum Quarter from his collection Across the Wall. It was a parody of rpg create your own adventures. I wanted to make an interactive post, and this was all I could come up with. I created all of the accompanying drawings in 1 1/2 days, so forgive their sloppiness.
I eliminated any need for dice, but you'll have to remember what two weapons you choose. Have fun and message/comment if you hit a glitch. Also, there's a giveaway at the end ;)
Are you ready to try and escape the 'Infested Palace' alive, and with your brains intact?
Begin the adventure!

Or preorder the book that this game is loosely based around, Ambulatory Cadavers

And check out the other blogs on this hop


Wednesday, October 12, 2016

Ambulatory Cadavers Art and Giveaway!

   The October Frights Blog Hop continues!
   Today we have art and a giveaway!
   I had a post on here about the drive to write and how it's like being a host for some alien intelligence that compels you to write (here it is, if you want to check it out). Writing isn't the only thing I'm a host for. I have an alien compulsion to draw, too. Often it seems to be another facet of the writing compulsion: I have to draw what I write. I like to be able to see my characters and how they dress, since I usually write stories set in another time period, and with Ambulatory Cadavers I had to see them especially clearly, because they would appear on my book cover.
   I've always loved the Regency period. I studied fashion plates and illustrations of the clothing of that period before designing the cover. It had to be authentic.
   Test was of course the most important character to design, being the zombie representative of the book. I think I was sketching ideas in April 2015 when I was writing the first draft. I wanted something decayed but cartoonish, like Plants vs. Zombies. But also somewhat classy and dignified. I think I found the right balance.
Katie M John is the wizard who framed my painting. Wonderful isn't it? And drippy. She is wearing a matching velvet bonnet and spencer: the short jacket popular during the Regency era.

Oil portrait of Test

   The compulsion never ends: I started out testing my new ink dip pens and before I knew it, I had the whole cast of Ambulatory Cadavers. These were really fun to paint: fast and furious.


Asa Crimpton--Artist and Medium. As a professional artist, it is perfectly acceptable for him to view naked women.

Charles von Hopenheim--Not much up in the skull, but lots in the heart, although most of it is futilely directed at his cousin, Lyra.

Creamey--A strange young man of questionable occupation. Is his nose broken or does it have naturally graceful curvature?

Lyra von Hopenheim--Avid scientist and social rebel. Sometimes a coup d'etat is the only answer.

Test--He's really very handsome actually...in a way. But he will eat your hydrangeas. They make a lovely garnish for brains.
Alice Crawft--Lyra's cousin. Doomed to an odious marriage. She enjoys edifying poetry, painting, and the pianoforte.
   If you like these ink dip pen and watercolor portraits, you're in luck, because I'm giving away a set of 5x7 prints! That's six altogether: Alice, Test, Lyra, Creamey, Charles, and Asa. Also, I'm giving away a print of the painting that was used in the book's cover.

a Rafflecopter giveaway

Also, here is a preorder link for Ambulatory Cadavers

An InLinkz Link-up

Tuesday, October 11, 2016

A New World of Horror...and Smelling Salts

   This is sort of a re-post of stuff I had on my Cover Reveal party for Ambulatory Cadavers. It introduces the world of Monezuela were the book takes place.

   Ambulatory Cadavers is my new horror comedy novella, coming October 31!
   Blurb:
   Two cousins. One on the verge of a great discovery—and excessive power, wealth, and infamy—the other on the verge of an odious marriage.
Lyra will stop at nothing to achieve her father’s dream of dissolving Parliament into so much anatomical sludge, searching out the farthest reaches of science and the arcane arts. Until her own dreams begin to awaken, jolted by the electric sparkle of an artist’s eyes.
Alice’s worst nightmares begin to awaken as great expectations weigh upon her and her answer to a very important question is awaited. Lacking a strong constitution, Alice can only run from her problems—until she runs into a strange young man of questionable occupation and discovers her cousin’s terrible plans.
The dead are about to rise, the Lords are about to fall, and things are about to get creamy. And high society will never be the same again.


   Bamberg…the ripest nest of vipers in all Monezuela. In all the world, in fact. I created Bamberg as the setting of my own barber tragedy after watching Tim Burton’s Sweeney Todd, the Demon Barber of Fleet Street. It became the home of many wild tales of darkness and crime. And ridiculously foolish and fashion-prone individuals. I knew that someday I would write about this place, this notorious city and the country of which it is capital: a land without a continent, an un-sunk Atlantis. I did not know that this day would come so soon.
   Bamberg was just waiting to have a story slapped down in its winding streets and catacombs and slums and elaborate parks. So where else could I put the walking dead when they came ambulating across my laptop screen?
   I actually already have an unpublished story lurking around somewhere that was meant to be set in Bamberg, but I don’t think I use the name. At any rate, I think Ambulatory Cadavers is a much better introduction into this comical hive of wickedness. It will ease us gently into this world, a world that really was still somewhat undefined and foggy. We will spend quite a bit of time out in the countryside near the city before diving into the streets and the bloodshed that will ensue.

   Are you ready to follow me into Monezuela and Bamberg? Keep a close eye on your pocket book, your china, your unmentionables and your relatives.



   Review of Ambulatory Cadavers by Mr. Harold B. Farthingale for the Bamberg Daily Discharge

   This is a highly disgusting work of fiction. Hysterical and lewd, it depicts obscene violence in a cavalier manner and plays with words as if they were of no consequence. The characters display little or no remorse for their hideous actions and fall in love with unrealistic candidates. This is sure to give impressionable young people a distorted outlook on life and morals and fill their heads with complete nonsense. 
   Furthermore, blue kissing is metaphorically described in vivid detail and decapitation is portrayed with gruesome and callous abandon. This type of sensational writing is neither skillful nor of remote value. It is frivolous and wicked and should not be purchased, borrowed or hidden beneath stockings in bureau drawers



Monday, October 10, 2016

Welcome to #OctoberFrights!

Hello, hello, hello

Welcome to #OctoberFrights 2016! This is just a little introductory post, I didn’t have a lot of time to prepare, but I have some cool things coming later this week, so stay tuned. Also, check out the awesome blogs at the bottom of this post, many of them have cool stuff up already.
A little about me:
I had my first novel published when I was nineteen, in 2014. So far there are two books in my steampunk mythology series, the Weather Casters’ Saga. Both are on sale this month for 99 cents on amazon. A Hole in the Ice, Book 1 and A Hole in the Sea, Book 2. The children’s magazine, Boy’s Quest, will be publishing a non-fiction article by me this December.
But most importantly, my horror-comedy-zombie-romance is coming out this Halloween! Ambulatory Cadavers is the story of two cousins, a plot to destroy parliament, an artist and medium, and … the walking dead. Tomorrow you can find out more about the setting, and the next day, I’ll show you some of the character art (with a giveaway!). In the meantime, if you wish, you can read an excerpt here.
I wanted to write some flash fiction, but I ran out of time. I might be able to squeeze in a film review to go with the Blu-ray I'll be giving away.

And, of course check out the blogs below!




Saturday, September 17, 2016

Ambulatory Cadavers Excerpt

Chapter Three: In Which Lyra’s Diabolical Plans Are Thwarted
Lyra hated company. One had to get up so god-awful early. The Duke of Hopenheim was always very strict about traditional Monezuelan breakfast, even though fashionable society had begun to adopt the British form of breaking the fast in a much less formal manner. The Duke of Hopenheim liked to have everyone together in the mornings so he could glare at them all in turn and tell them what he thought they ought to do with their lives. And he insisted upon dress.
Afraid of Alice’s quaint way of looking much too sprightly in the mornings, Lyra rose especially early to make absolute certain that her barmy cousin didn’t outdo her. She had to rouse her lady’s maid from an apparent binge sleep-off and wasted a good ten minutes getting Bridgette out of bed and then thirty to get her hair satisfactorily tamed into an acceptable arrangement of curls and topknot. Perhaps she should just get a Titus cut, it would be less trouble.
After much deliberation and very little input from the sluggish maid, Lyra decided on a cream chiffon and silk gown. Then she realized a bit of ribbon needed sewing back on and dresses and pearls and bonnets and shoes and parasols hurricaned around the room.
Lyra grudgingly slipped into a pale blue muslin gown and tripped down to breakfast late. Lyra stopped on the thresh-hold. The breakfast room was empty save for the butler.
“What’s the meaning of this, Jeebie?”
“Miss?”
“I haven’t missed breakfast, have I?” Lyra asked, suddenly greatly afraid. “Did Leroux make my favorite?” She always missed breakfast when Leroux made her favorite.
“No, miss,” Jeebie said, pulling out a chair.
“No to which?”
“You have not missed breakfast, but neither has Leroux made your favorite.”
Lyra sighed. When would things work out in her favor? She glanced down at her gown. All this carefulness for nothing. She strode into the room and took her seat.
“Where is Alice? And Papa?”
“Still asleep, m’lady,” Jeebie said, placing a plate before her.
“Ah, well, let them miss out, I say,” Lyra said. She tucked in with enthusiasm. More enthusiasm than was generally considered proper for a young lady, but no one was at breakfast, so she excused herself. “More sausage,” she demanded.
Lyra was halfway through her indecorous seconds when Alice arrived. Lyra swallowed rapidly, nearly choking, and assumed a more polite eating rhythm. She glowered at Alice’s lustrous hair, perfectly arranged with little flowers of silk. Her porcelain complexion, humongous blue eyes, sweet as a baby’s, and adorable little nose and mouth always made Lyra furious.
“Good morning, Alice,” Lyra said. “I thought you’d never come!”
“So did I,” Alice said resignedly, “but I got so hungry. Is…uncle here?” Alice looked around fearfully.
Lyra rolled her eyes. “Yes, he’s invisible,” she said sardonically.
Alice started and gasped quietly. “He is?”
“No, you twit,” Lyra scoffed, silently praying for the chandelier to fall on her head.
“Oh,” Alice said, her voice heavy with relief. “Is he not coming down to breakfast?” she asked hopefully.
“I hope not,” Lyra said.
Alice smiled tentatively. Or maybe not, it was hard to tell since Alice seemed to do everything tentatively. Even sitting down. Alice sat down tentatively and began to tentatively taste her breakfast. Hungry indeed. She must have slept in late to recover from Aunt Elizabeth’s tirade. That must be what was keeping Papa in bed as well.
“I hear you have a proposal,” Lyra said innocently. Alice cringed. “Rupert Winkle, the Earl of Chornby.”
“He did propose to me,” Alice confirmed tentatively. Lyra silently applauded her; the girl was an artist of the oxymoronic.
“You could do worse,” Lyra said.
“Not much worse, I should guess,” Alice responded. Lyra was shocked. The girl actually had fight in her.
“He is a hideous old sack of vitriol,” Lyra said, “but he could be a hideous old sack of vitriol without a title.”
“I could give him many titles,” Alice mumbled.
What did you say?” Lyra asked, leaning forward.
“Nothing,” Alice said, turning a lovely shade of scarlet. Lyra was astounded.
“What kind of titles?”
“I shouldn’t,” Alice said, “he really hasn’t done me any wrong other than ask for my hand whilst holding such prestige and titles and an unfortunate lack of the delightful in his personality.”
“He strikes me as a wife beater,” Lyra said.
“No!” gasped Alice. “I mean, surely not. He seems more like the kind who might stay away for long periods of blissful time.” A hopeful look came across her face.
“So you’re giving up?” Lyra asked, on one hand disappointed in what she had thought was a new and braver Alice, and on the other delighted that she would soon be leaving.
“I didn’t say that,” Alice said. “I started out to defend his character and found myself on a road I did not want to be on.”
“That’s what happens when you defend characters undeserving of kindness and friendship.”
“That’s very uncharitable,” Alice admonished.
“Charity,” Lyra said disparagingly, “what a useless scrap of rubbish.”
“’And above all things have fervent charity among yourselves: for charity shall cover the multitude of sins’” Alice said.
“Jeebie!” Lyra called. “Bring me the newspaper, she’s quoting scripture!”
Jeebie brought her a freshly cut and ironed paper and vanished back into the shadows. Butlers, supernatural creatures of darkness. It was like having a djinn. She flipped through the paper, making sure to hold it forbiddingly between her and Alice.


Saturday, June 25, 2016

Distracted by Art and Upcoming Newsletter!

My writing has been neglected this month as I've been following the #artitupwithfriends daily drawing challenge theme list for June on Instagram (hosted by @pabkins and @badaliceshop). It's been fun to stretch my drawing (and painting) muscles.
Here are several drawings. The themes were Danse Macabre, Black, and Under the Bed. Follow my Instagram @mccallumjmorgan for more!



I'm also working in releasing a (hopefully) monthly newsletter, the first issue of which is going out in July. If you want the inside scoop on upcoming projects, sign up below! It's going to be a blast. I plan to have a new character portrait from Weather Casters Book Three each month, starting with the Duchess of Nachdenklich and hoepfully later on, I'll be able to organize some book recommendations and spotlights. Who knows what I'll stick in there.
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