Saturday, September 17, 2016

Ambulatory Cadavers Excerpt

Chapter Three: In Which Lyra’s Diabolical Plans Are Thwarted
Lyra hated company. One had to get up so god-awful early. The Duke of Hopenheim was always very strict about traditional Monezuelan breakfast, even though fashionable society had begun to adopt the British form of breaking the fast in a much less formal manner. The Duke of Hopenheim liked to have everyone together in the mornings so he could glare at them all in turn and tell them what he thought they ought to do with their lives. And he insisted upon dress.
Afraid of Alice’s quaint way of looking much too sprightly in the mornings, Lyra rose especially early to make absolute certain that her barmy cousin didn’t outdo her. She had to rouse her lady’s maid from an apparent binge sleep-off and wasted a good ten minutes getting Bridgette out of bed and then thirty to get her hair satisfactorily tamed into an acceptable arrangement of curls and topknot. Perhaps she should just get a Titus cut, it would be less trouble.
After much deliberation and very little input from the sluggish maid, Lyra decided on a cream chiffon and silk gown. Then she realized a bit of ribbon needed sewing back on and dresses and pearls and bonnets and shoes and parasols hurricaned around the room.
Lyra grudgingly slipped into a pale blue muslin gown and tripped down to breakfast late. Lyra stopped on the thresh-hold. The breakfast room was empty save for the butler.
“What’s the meaning of this, Jeebie?”
“Miss?”
“I haven’t missed breakfast, have I?” Lyra asked, suddenly greatly afraid. “Did Leroux make my favorite?” She always missed breakfast when Leroux made her favorite.
“No, miss,” Jeebie said, pulling out a chair.
“No to which?”
“You have not missed breakfast, but neither has Leroux made your favorite.”
Lyra sighed. When would things work out in her favor? She glanced down at her gown. All this carefulness for nothing. She strode into the room and took her seat.
“Where is Alice? And Papa?”
“Still asleep, m’lady,” Jeebie said, placing a plate before her.
“Ah, well, let them miss out, I say,” Lyra said. She tucked in with enthusiasm. More enthusiasm than was generally considered proper for a young lady, but no one was at breakfast, so she excused herself. “More sausage,” she demanded.
Lyra was halfway through her indecorous seconds when Alice arrived. Lyra swallowed rapidly, nearly choking, and assumed a more polite eating rhythm. She glowered at Alice’s lustrous hair, perfectly arranged with little flowers of silk. Her porcelain complexion, humongous blue eyes, sweet as a baby’s, and adorable little nose and mouth always made Lyra furious.
“Good morning, Alice,” Lyra said. “I thought you’d never come!”
“So did I,” Alice said resignedly, “but I got so hungry. Is…uncle here?” Alice looked around fearfully.
Lyra rolled her eyes. “Yes, he’s invisible,” she said sardonically.
Alice started and gasped quietly. “He is?”
“No, you twit,” Lyra scoffed, silently praying for the chandelier to fall on her head.
“Oh,” Alice said, her voice heavy with relief. “Is he not coming down to breakfast?” she asked hopefully.
“I hope not,” Lyra said.
Alice smiled tentatively. Or maybe not, it was hard to tell since Alice seemed to do everything tentatively. Even sitting down. Alice sat down tentatively and began to tentatively taste her breakfast. Hungry indeed. She must have slept in late to recover from Aunt Elizabeth’s tirade. That must be what was keeping Papa in bed as well.
“I hear you have a proposal,” Lyra said innocently. Alice cringed. “Rupert Winkle, the Earl of Chornby.”
“He did propose to me,” Alice confirmed tentatively. Lyra silently applauded her; the girl was an artist of the oxymoronic.
“You could do worse,” Lyra said.
“Not much worse, I should guess,” Alice responded. Lyra was shocked. The girl actually had fight in her.
“He is a hideous old sack of vitriol,” Lyra said, “but he could be a hideous old sack of vitriol without a title.”
“I could give him many titles,” Alice mumbled.
What did you say?” Lyra asked, leaning forward.
“Nothing,” Alice said, turning a lovely shade of scarlet. Lyra was astounded.
“What kind of titles?”
“I shouldn’t,” Alice said, “he really hasn’t done me any wrong other than ask for my hand whilst holding such prestige and titles and an unfortunate lack of the delightful in his personality.”
“He strikes me as a wife beater,” Lyra said.
“No!” gasped Alice. “I mean, surely not. He seems more like the kind who might stay away for long periods of blissful time.” A hopeful look came across her face.
“So you’re giving up?” Lyra asked, on one hand disappointed in what she had thought was a new and braver Alice, and on the other delighted that she would soon be leaving.
“I didn’t say that,” Alice said. “I started out to defend his character and found myself on a road I did not want to be on.”
“That’s what happens when you defend characters undeserving of kindness and friendship.”
“That’s very uncharitable,” Alice admonished.
“Charity,” Lyra said disparagingly, “what a useless scrap of rubbish.”
“’And above all things have fervent charity among yourselves: for charity shall cover the multitude of sins’” Alice said.
“Jeebie!” Lyra called. “Bring me the newspaper, she’s quoting scripture!”
Jeebie brought her a freshly cut and ironed paper and vanished back into the shadows. Butlers, supernatural creatures of darkness. It was like having a djinn. She flipped through the paper, making sure to hold it forbiddingly between her and Alice.


Saturday, June 25, 2016

Distracted by Art and Upcoming Newsletter!

My writing has been neglected this month as I've been following the #artitupwithfriends daily drawing challenge theme list for June on Instagram (hosted by @pabkins and @badaliceshop). It's been fun to stretch my drawing (and painting) muscles.
Here are several drawings. The themes were Danse Macabre, Black, and Under the Bed. Follow my Instagram @mccallumjmorgan for more!



I'm also working in releasing a (hopefully) monthly newsletter, the first issue of which is going out in July. If you want the inside scoop on upcoming projects, sign up below! It's going to be a blast. I plan to have a new character portrait from Weather Casters Book Three each month, starting with the Duchess of Nachdenklich and hoepfully later on, I'll be able to organize some book recommendations and spotlights. Who knows what I'll stick in there.
Newsletter Sign Up

Monday, May 30, 2016

Cover Reveal for 'Stay, If Only for Tomorrow' by Hazel Robinson

Cover reveal for

Stay, If Only for TomorrowBy Hazel Robinson





An upper YA Contemporary Romance novella by Hazel Robinson.
Release date – July 2016
Published by – Little Bird Publishing House
Cover design by -  STAR Graphics and Creations



Cole has one summer to turn his life around but he makes one mistake, falling for the girl next door.
Now his desire is out of control and he can't avoid her anymore.
Can Darcy calm the man he is trying to hide or will her new found rebelliousness be the catalyst to his flame?





Join in the party with guest appearances and giveaways




To celebrate this amazing cover reveal we Something Missing will be free to download on Amazon!


Saturday, April 30, 2016

Of Earth and Sky

   Ok, here goes...I asked for input on what to post here on M'Habla's! and someone said: poetry. I AM NOT A POET! I never learned the ins and outs of poetry and only very recently figured out the whole syllable thing. Anyway, I do like to take a whack at it from time to time, mainly as a side thing in my books. For instance, the poem on the Chart in A Hole in the Ice, and of course the old prophecy trope.
   I took a trip to Arizona earlier this year and flying always inspires me. I'm way up in the sky, looking down on the strangeness of distant earth and I wax poetic. I remember writing poetry in the sky when I went to New Jersey a few years ago and I had to break out the pen again this time. I wrote about half of 'From Heaven' and a few lines of 'Little Bauble' as impressions from an airplane. So here they are, two little fragments of thought that were written in the sky.

FROM HEAVEN
Little ripples wander ‘oer and yon,
Crease the folds of earth and frowning stone,
Rising suddenly, falling they’re gone,
Stretched out below like a spinal bone,
Distant tableau, set as a table,
I long to taste the fine things beneath,
To eat, if only I were able,
To crush the red rocks between my teeth.
From Heaven, this disk is desolate,
Only the stones. Where are the fountains?
I look around me, the clouds are wet,
I let my gaze fall to the mountains,
Where Heaven shed her frosty white tears,
Where black chasms deep, I see it all,
Tis mine forever, throughout all years,
If I let go, if I jump and fall.

LITTLE BAUBLE
Living thing, yet dead,
Full of life and full of death,
I see your veins, your bones, your spine.
Unbelonging, free, yet you’re mine.
You stretch forever,
Spherical and cubicle,
You draw a veil across your face.
One of millions, the only place.
A little bauble,
Unimportant, essential,
War on your face, endless squabble,
Glittering and consequential.

Saturday, March 26, 2016

Alien Jungles

   Sometimes, writing feels like an alien compulsion; the words well up from within, unstoppable. They will be put down on paper, and they will do it now, regardless of what you want.
   The story is an extraterrestrial entity, taking possession of your body in order to express itself. 
   And other times...You battle onward, abandoned by your infernal Muse to hack through a dangerous jungle on your own. You keep going because you can't just leave that story out there in those wastes. It may have abandoned you, but you will never abandon it. Once you have tasted madness, you will never go back.
   Why?
   Why seems an irrelevant question. To those who know, it does not matter why. It only matters when. When can I do it again? It's that 'sensation of spinning, blinded by love and daring' (Annie Dillard, The Writing Life). It's a frantic waltz with the sublime.
   The imagination bubbles and simmers, taking things in, eye of newt and toe of frog, boiling them, changing them. The imagination is a witch's cauldron, frothed by the flames of the senses, stirred by the mundane, the mystical, and the beautiful in life. And it is fraught with peril.
   You have gone out into the fetid coiling vines, the nest of vipers and of bird eating spiders. You are unarmed, unprotected.
   "I have spread my dreams under your feet; Tread softly because you tread on my dreams." (William Butler Yeats, He Wishes for the Cloths of Heaven ). You are exposing your soul when the reader opens your pages.
   It is a danger worth risking, a peril both terrifying and delightful. What kind of alien entity is controlling you? You suspect it is not a terrible black chitinous endoparasitoid. You suspect it is more of an ethereal silvery exctoparasitoid that only occupies you briefly as a cocoon and then develops fully outside of you, a papery butterfly covered in colorful wings and filled with magic.
   Metaphors can be dangerous, especially when mixed. Ravenous mongrels, those.
   Be careful, be wary. The jungle is deep. The way is difficult but the rewards are bountiful.

                                                                     *
   
      I was supposed to talk about what inspired me to write, but I got sidetracked into a metaphorical murmuring. I can't really nail down where my inspiration comes from. As I've indicated above, it seems a very myriad source. I am often inspired by very vague mysteries, an image, a sound that holds a feeling, theme, or certain psychological sensation. Visuals especially. I can watch a film and be captured by a single shot, inspired by the possibilities of one image. I'm always inspired by other books. Little fragments here and there break off of material I read, see, or listen to and collect inside me. The writer is not only a cocoon but a fertile field where seeds are sown and grow into wild new hybrids. Ravenous mongrels. The fields become wild again, jungles.. Bountiful jungles.

Wednesday, February 3, 2016

'Taste the Blood of Dracula' review

Taste the Blood of Dracula
Hammer, UK, 1970, Rated R
Starring Christopher Lee, Geoffrey Keen, Gwen Watford
Directed by Peter Sasdy




   This movie is awful and good. The biggest complaint is, of course, the lack of Dracula. He has very little screen time, and I adore Christopher Lee. On the other hand, his lines were terrible, so maybe it all balanced out: hoping for more Dracula and then hoping for less when it came.
   The worst part of the film is the stupid brothel scene near the beginning. There was absolutely no reason to show bare breasts (it is very brief) and the snake dance---egad! Having a python on your shoulders does not make you a good dancer.
   Also, I found the character motivation lacking at times. Why did Dracula care that those guys killed his servant when it obviously brought him back to life? Why did Alice's father hate Paul (why was there inevitably a character named Paul in all of the Hammer movies?).
   All of that said, this movie looks delicious. Even the blood, it was like oozing pie filling or strawberry jam. Made me want to taste the blood of Dracula.
   The sets were gorgeous and the lighting was good. I loved the garden at Alice's house, where she climbed down the tree to meet Paul beside the fountain in the moonlight. The abandoned church was lovely (the Satanic altar cloth, not so much) and the one house had an abundance of Indian swords and daggers on the wall. The costumes looked good, too...always a bit questionable about whether or not they stayed strictly true to the time period.
   I can never judge acting in these old movies because it's clearly a different standard. I thought Alice was good, mainly because she was so sweet and then turned into a creepy psycho under Dracula's power. She was really cute, too. I liked her story line with Paul and would have liked to see more of them and less of...whatever else was going on.
   What was going on? It was actually pretty good (though lacking much logic), the deaths were good (meaning delightfully awful), but I couldn't understand why Lucy turned straight into a vampire and Alice didn't. I also didn't get Alice's death. Or Dracula's, for that matter. Although I liked the part where he threw organ pipes at them while they yelled around and didn't run.
   All in all, I really enjoyed this film for some reason, even though Christopher Lee's performance was a bit lacking. It was a romp, delightfully weird, creepy, awful, fairly stupid, but fun and good looking!
   My favorite Hammer Dracula will continue to be 'Dracula Has Risen From The Grave,' which I think is actually pretty good, all reduced-old-movie-standards aside.



Saturday, January 30, 2016

Interview with Skye Palmer: Singer, Actress, Screenwriter

Skye Palmer is an entertainer, screenwriter and musician born in Britain and currently based in North Idaho. She has appeared in a variety of shows throughout the area, including concerts, musical theatre and dramatic plays. Besides performance, she also expresses strong interests in musical composition and writing for film and stage. When not busy, Skye can be found doodling on the piano, writing film critiques, and drinking way too much coffee in one sitting.






What was your first show and how old were you?
I tried a few things when I was younger, but I’ll say my first big role came when I played the lead in Peter Pan. I was 12.
Do you have a favorite show that you’ve performed in?
So far I think my favorite is the time I played Jo March in Little Women. We received all our music and scripts early and then put the actual show on after only two weeks of rehearsals. Super intensive and fun!
What inspired you to perform? And write?
When the stage calls, you have to answer! I believe that homeschooling allowed the creative aspects of my personality to flourish. I had the time to explore different interests and found that writing, especially, was personally satisfying.
Does acting come naturally to you and have you ever experienced stage fright?
Acting always came easy for me, although I have had quite a bit of training at this point. When I was younger I used to be very shy, but I got over it when I found out how much I enjoy performing. I’ve never actually had stage fright, though I do feel pretty excitable just before a show starts. I think that adrenalin rush is a bit addicting.
What kind of musical training did you have?
I started taking piano lessons when I was 5, and kept at it sporadically until I was almost 18. I didn’t realize I could sing until I was 11 and started beating my family at karaoke games. After that, I joined choir and performed in some musicals, something I’ve kept up over the years. I almost majored in music in college so took quite a few classes related to composition and voice as well. Right now I’m more into the composing side of things, so I’ve set up a bunch of keyboards and electronic equipment in the spare room and take online classes from Berklee when I can fit them in.
You’re not the only musical one in your family, is that right?
Not at all! Everyone in my family is able to sing. My dad is a pretty smooth saxophonist when the mood hits, and I have a younger sister who also sings and plays guitar.
What’s your favorite movie?
I’m going to cheat a little and go with my favorite TV show since it’s easier for me to choose: Sherlock. This is, without a doubt, my favorite. The acting and cinematography are superb! (I’m also a die-hard Sherlock Holmes fan.)
What are your plans for the future?
My immediate plans include graduation this spring with a BA in Screenwriting from SNHU. I started college at 16 and am glad to get it done early. I have several other performance possibilities this coming year but, in the long run, I’d like to work on my own music and develop complete projects from start to finish, including writing, filming, acting, scoring, and collaborating with friends.

Skye Palmer is the amazing voice of Fou's Lullaby written by Matthew McLin (with lyrics by me from A Hole in the Sea). You can download it for free here.
See what else Skye is up to here.
You can also check out Matthew McLin's music on Soundcloud.