Super excited to release the audio version of Ambulatory Cadavers!
It's out now! Available on Audible and soon on amazon and itunes! And! I have promo codes! The first five people to leave a comment on this page will get a free code to download the new audiobook, which has been narrated by the wonderful Melika Jeddi. Plus, a download code for M Lauryl Lewis's zombie apocalypse book, Rotten (see previous post for more info). That's two free zombie audiobooks! Just comment below to win :)
A refresher:
Two cousins. One on the verge of a great discovery... and excessive power, wealth, and infamy, the other on the verge of an odious marriage. Lyra will stop at nothing to achieve her father’s dream of dissolving Parliament into anatomical sludge, and to search out the farthest reaches of science and the arcane arts. That is until her own dreams begin to awaken, jolted by the electric sparkle of an artist’s eyes. Lacking a strong constitution, Alice can only run from her problems, that is, until she collides into the company of a strange young man of questionable occupation and discovers her cousin’s terrible plans. The dead are about to rise, the Lords are about to fall, and things are about to get creamy. High society will never be the same again.
Amazon ebook link: http://amzn.to/2w4YNMo
And here's a little about the narrator:
Melika Jeddi is a professional audiobook narrator and aspiring author. She especially loves narrating books with a cast of colourful characters, as she enjoys coming up with the various voices. Obsessed with all things nerdy, she dreams of one day publishing her own fantasy trilogy, but in the mean time she thoroughly enjoys reading other people’s books, with a particular interest in graphic novels. In her free time, Melika runs her own small online business selling custom book packages, as well as a bespoke crochet service.
www.mymarvellousbooks.com https://www.facebook.com/MyMar... https://www.facebook.com/MyMar... |
Showing posts with label comedy. Show all posts
Showing posts with label comedy. Show all posts
Saturday, December 14, 2019
Ambulatory Cadavers Audiobook
Saturday, October 21, 2017
Zombiecon Review
Why does it take me so long to write these?? Zombie Con was October 7, two whole weeks ago!
Anyway, it was a really fun event in a really cool venue: the Bing Crosby Theater in Spokane, Washington. It opened in 1915 as the Clemmer Theater, and you can read all about it's fascinating history here.
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Bing Crosby theater pit |
It was a relatively small convention, with only about seven vendors, plus the make-up artists. Three zombie authors, including me, were present: Grivante and M. Lauryl Lewis being the (delightful) other two. Then there was Verona the Mad's Crafts and Combobulations, from whom I bought a wonderful clockwork pocket watch, and her friend Belinda (whose link I've lost), maker of beautiful handcrafted clay jewelry! Not sure whose links to put in for the makeup artists, but they were all very talented. But here is the facebook page for zombiecon. It will be returning next year, bigger and better!
Oh, yes, I forgot: there was a sampling of cast and crew from Z Nation there for a panel!! I sit in on the panel, but it sounded entertaining.
It was a bit slow some of the time, but so many creative zombies came through! And one of the staff got mobbed by ravening zombie children when he tried to pass out free raffle tickets. I felt a little out of place with my scanty selection of horror-themed items: one out of three books, a few Cthulhu paintings and my Java Zombie mug. (now available on my etsy shop). But I sold a few books! And met more zombie authors and had a good time, so that's the most important thing.
Not to mention this is the most comfortable costume I've made to date. Mainly because it doesn't involve a neck cloth. I love cravats but they make my neck stiff.
So once again I was a terrifying zombie! Among many. Can't wait for next year!
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A terrifying zombie! |
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Reading from Ambulatory Cadavers |
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Braaaaaains! |
Tuesday, October 10, 2017
October Frights! and a Book Excerpt
Hello! Welcome to the October Frights Blog Hop. You can check out the other blogs on the Hop via the link at the bottom of this post. I really enjoyed this last year and I'm happy to be a part of it again. Life has been happening and I'm behind schedule on everything, so to start off, here's the first chapter of my horror comedy novel, Ambulatory Cadavers!
Chapter One: In Which Alice Meets a Strange Young Man of Questionable Occupation
Alice did not want to get married. Not to the squint-eyed, flamboyant, and disagreeable Earl of Chornby with his squeaky voice. However, as the carriage pulled up to Hope Hall, and her own hope extinguished, she thought she might consider the proposal seriously. She did not want to stay at Hope Hall for longer than a minute.
“You’ll stay here until you’ve properly considered your ways and repented,” Lady Crawft told her as the phaeton lurched to a stop. “I can’t believe you told the Earl ‘no.’ It’s appalling. Why, it’s criminal!”
“But Mama!” Alice protested. “I didn’t refuse him. I told him I would consider his offer and reply within the year.”
“That’s not what he said. He said you told him you wouldn’t marry him in a thousand years.”
“The Earl exaggerates,” Alice said.
“Nonsense,” Lady Crawft snapped as the footman opened the phaeton’s door. “You will conjure up a yes or you will stay here forever.”
The footman helped Lady Crawft and Alice down.
Hope Hall loomed over them, an extravagant affair constructed in complete disregard for any moral principles involving moderation or humility. It looked like a bank cross-bred with Michelangelo’s private sculpture collection. Huge Doric pillars spanned the forty-foot-wide front stair. Alice’s uncle, the Duke of Hopenheim, hid among the pillars, a sour look on his face as if he were waiting to be struck.
“Christopher!” Lady Cawft exclaimed. The Duke winced. “You look much worse than last time I saw you, are you getting enough air?” Lady Crawft hauled Alice up to the top of the steps where pleasantries were exchanged at double speed. Uncle H led them inside where more pleasantries were exchanged with Alice’s aloof cousin, Lyra. Lyra was always stunning with her auburn hair curling away from her high brow and her dark eyes, which glinted with a coldness the Devil himself would have found terrifying.
Alice wanted to turn, leap into the phaeton and flee.
Instead, Jeebie, the butler, escorted her to her room.
“Yes, yes,” said Lady Crawft, “take her away, I must apprise my brother of the situation.” Which of course meant telling him Alice had refused an Earl and must be talked into changing her mind, which was Uncle H’s specialty. He was the most influential Member of Parliament, infamous for bringing his staunchest opponents around to his point of view in a matter of minutes. Most of them, anyway.
Once Jeebie had deposited her in her room, she bolted the door and opened her trunk to dig out her copy of Poetry for the Cultured Mind’s Expansion and Refurbishment by E.A. Wandlund. She paused, thinking she heard a funny scratching sound from the wall near the walk-in armoire. Mice, she thought, how appropriate. Her skin crawled and she fled to the chaise by the window with her collection of dry poetry.
She always sat there on her visits to the Hall. She would wrap the gauzy curtains around herself so she could see neither the room nor the garden outside, but the sun would glow golden through the pale yellow curtains and illuminate her book.
It couldn’t have been more than half a heartbeat later that Lady Crawft banged on the door. Alice jumped out of her skin.
“Alice!” Lady Crawft demanded. “Open the door.”
Alice dove out of her curtain shroud and looked about the room for a mode of escape. There was only one door, but the room afforded a ridiculous number of other options. She normally tried not to look around when she stayed here, it was too horrible. Now its many gloomy nooks and crannies seemed delightful.
There was a massive vanity and a washstand with a bowl big enough to bathe a dog in. Perhaps she could hide there. Or under the bed. One could hide a regiment under that bed. In fact, Alice had always been convinced that a there was a regiment under the bed, a dead regiment in open coffins. There was the armoire, but Lyra had always delighted in pulling Alice into the dark stuffy confines and telling her ghost stories about the woman in white who perished in the forest but refused to rest.
“Alice,” Lady Crawft repeated, “open this door at once, I must speak with you on the subject of your marriage.”
Alice darted into the armoire. It was bare. She hadn’t unpacked, which meant that as soon as Lady Crawft opened it, Alice would be exposed. And it sounded as if Lady Crawft was breaking down the bedroom door at that very moment.
Alice’s back pressed against the back of the armoire. Again she heard the mice in the wall; their frantic shuffling mirroring her heart.
“Alice! Open. This. Door. Now!” Alice splayed her hands against the back of the armoire and squeezed her eyes shut. Her finger pressed a knot. The armoire back flipped open, dumping her into a secret passage.
Landing on her derriere in a cloud of dust, she thought, So this was how Lyra snuck into my room to imitate dead soldiers under my bed. Her nose twitched. She sneezed.
“Alice?” Lady Crawft asked.
Alice felt around for the secret door and pushed it closed. Her mother’s demands for immediate matrimony were muted. She stood in the narrow passage and inched along, trailing her hands along each wall. The dark was terrifying. She couldn’t see a thing, but she was so very tired of hearing the tedious reasons for her insalubrious marriage enumerated. She came to another door. She opened it and peered in. It appeared to be the interior of Lyra’s wardrobe. No one else would wear such immodestly adorned gowns, especially not Uncle Hopenheim.
Lyra was not very high on Alice’s list of favorable alternatives to coercion so she closed the door quietly and kept moving down the passage. A light flickered somewhere ahead. Behind her came the distant sounds of Lady Crawft beating on her door.
Alice quickened her pace and fell face-first down a very narrow flight of stairs. She tumbled with a cry of horror into a tiny space. Regrettably, the space was already occupied.
“Ow!” yelped a voice.
Alice gasped wordlessly in shock and pain, her limbs tangling with more limbs that were certainly not hers.
“You’re crushing my arm,” a voice said in her ear. “And most of my other body parts as well.” Alice nearly screamed, scrambling off the invisible person and bashing into the wall rather violently; violently enough to give her a goose egg on the back of her head. Her heart sputtered and nearly died.
There was a scratch and a flare as a flint was struck, then a candle bloomed to life and Alice could see a young man with grey eyes that twinkled rather demonically, through a tangled mass of grey curls – although they seemed to be grey from dust and cobwebs rather than the natural cause of aging. His face was thin and his nose and ears stuck out rather comically. Alice sighed in relief – he wasn’t a dead soldier.
“Oh, hello,” he said, looking at her curiously. “Who are you?”
Alice turned red and tried to stand, but her ankle squealed in protest and she collapsed. “Oh, I’ve broken my ankle!” she exclaimed.
“Gosh,” said the young man, kneeling and setting down his candle. “You shouldn’t go around without a light, you know,” he admonished, taking her foot gently and examining it.
Alice thought she might faint. “You shouldn’t either,” she gasped, not sure why she said it. Lack of air seemed the most logical answer.
“I have a light, I just put it out because I thought one of those horrid Hopenheims was coming,” the young man explained. “Your ankle’s not broken. What are you doing in Hope Hall?”
“The other one.”
“What other Hall?”
“No, my other ankle is broken,” she said, holding it out. She wasn’t sure why; it certainly seemed unlikely he was a doctor. She just wanted someone — anyone — to tell her she was fine. The prospect of lying in bed in Hope Hall was far more terrifying than being alone in a secret passage with a complete stranger whilst being deprived of air.
“What are you doing in Hope Hall?” the young man repeated, looking at her other ankle.
“What are you doing? Who are you?” Alice asked.
“Ah, that would be top secret,” the young man said, winking. Alice was mortified.
“Did you just wink at me?” Alice asked.
“Yes,” he replied, apparently taken aback. “Does that offend you? Your other ankle is also not broken.”
“Yes, that offends me!” Alice said. “I mean, the winking, not the ankle. I mean…it’s very familiar.”
“Ankles are,” the young man nodded, picking up his candle and standing. Alice blushed. She didn’t like his being familiar with her ankles, nor remarking on his familiarity with ankles, hers or otherwise.
She also stood, wincing. It forced her into scandalous proximity with the strange young man. She stared up into the curved nostrils of his epic nose. Behind her were the stairs, up which she very nearly flew, but the strange young man opened a door on the other side of the tiny space and Alice’s curiosity rooted her in place. Where did the secret passages in Hope Hall lead? What was this young man dressed rather like a highwayman doing here? Surely burglars dressed in floppy hats, fingerless gloves and jackets, not greatcoats and scarves?
“Who are you?” Alice demanded. It wasn’t very polite, but she was certain that he wasn’t one of the servants, and so a little rudeness could be excused as he presumably didn’t belong in the house.
“Call me Creamey,” he said. “And you?”
“Alice — I…I mean, Miss Crawft,” she said. She really needed some air. The things one did when deprived were truly quite frightful.
Creamey stepped through the door. Alice thought again of fleeing back up the stairs to her room, but as Creamey vanished into the mysteries of Hope Hall, the candlelight went with him, plunging Alice once more into darkness.
Alice lurched through the door after him. Once back in the light, she proceeded more cautiously. Her left ankle still hurt some when she stepped on it. They emerged in another ridiculously narrow passage with a door at one end and steps going down at the other.
“I see, and your business?” Creamey asked, heading towards the steps.
“This is my cousin’s house.”
“Oh…” Creamey said, stopping at the top of the steps. He turned to her. “Um, ah, you won’t mention seeing me, will you?”
“I don’t see that I shouldn’t,” Alice said, much more bravely than she felt. It occurred to her a shocking number of knives could be concealed in a coat of such voluminous nature. Creamey grinned rather queasily.
“Look…I—” he was cut off by footsteps coming down the stairs behind them. The Duke of Hopenheim’s voice boomed down the passageways.
“Heaven help us all,” he was saying. “I can’t imagine that poet is still alive!” The poet in question was Alice’s father. “What he has to put up with… it makes my skin crawl and my eyes flood with sympathetic tears – and you know how unsympathetic I am.”
“Yes, Papa,” Lyra’s voice answered.
“Dammit,” Creamey said, grabbing Alice’s arm and running down the stairs. Alice bolted gladly. The last thing she wanted was to be caught by her cousin and uncle in secret passageways with a strange young man of questionable occupation.
Her ankle threatened to shatter on each step. They reached the bottom as the door in the passage above creaked open. Alice and Creamey sprinted down a long tunnel lined with alcoves, which held horrible things like, medieval torture devices, casks of vintage wine, a few coffins, some old needlepoint, and a statue of Uncle Hopenheim. The air was musty, and odors of mold drifted on the slight draft that stirred the cobwebs dangling from Uncle H’s graven image.
The passage opened up into an ancient cellar; or perhaps it was a dungeon. There was a barred door on one side and a regular door on the other. Straight across from the tunnel opening was a very old looking wooden door banded by strips of iron with large, wicked looking spikes. A collection of antique weaponry occupied the center of the stone cellar: cobweb-coated trunks and racks of rusted rifles, an old canon, poleaxes, and an assortment of bayonets and blunderbuss parts.
“Which way?” Creamey asked.
“I don’t know!” wailed Alice. “I’ve never been down here before.”
Creamey raced to the ordinary door. He peeked in and closed it. “Crypt,” he pronounced. Alice grabbed a rusty sword from the collection.
“Crypt?” she squeaked. Creamey raced to the barred door. It was locked. Alice followed him to the last door, which stood slightly ajar. The Duke’s voice boomed from the stairs.
“You understand the importance of the marriage, of course?”
“I suppose,” Lyra replied.
Alice frowned. Now they were both on to it… how miserable her stay was going to be. Especially if she got caught down here. She followed Creamey through the door. Creamey’s candle glinted on glass phials, beakers and tubes lined out on tables. There were horrible chains hanging from the ceiling and several metal cots lined in a row. A hulking boiler loomed in one corner and wires curled down the walls to connect with great awful gears and tubes and crank handles.
“God’s molars,” said Creamey. Alice gaped at him. “Pardon,” he amended. Then, looking around, he added, “but in all seriousness, God’s molars and eyeteeth!” There was no exit. They couldn’t go back out into the cellar: Hopenheim and Lyra would have reached the tunnel by now and would see their candle…
Creamey pointed at several large cabinets. He opened one, but it was full of bottles labeled with things like, ‘formaldehyde’ and ‘mandrake.’ There was even a brain floating in a large jar. Alice shuddered, looking away from the horrid, slimy things. Her stomach was already tight with fear, which was probably for the best, or she might have emptied it right there.
The next cabinet contained books with authors like Archimedes, Galen, Ocelot, and Paracelsus. Hopenheim and Lyra’s voices were getting closer.
Creamey dashed over to an iron maiden propped up in the corner. He pushed it open. It must have been put to regular use, the joints well oiled, because it didn’t make a sound. He closed himself in, extinguishing his candle.
Alice was about to protest when the door flew open.
Get the book: https://www.amazon.com/dp/B01LX8TJDL/ref=cm_sw_r_cp_apa_hpDnybN02H2Z3
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Alice did not want to get married. Not to the squint-eyed, flamboyant, and disagreeable Earl of Chornby with his squeaky voice. However, as the carriage pulled up to Hope Hall, and her own hope extinguished, she thought she might consider the proposal seriously. She did not want to stay at Hope Hall for longer than a minute.
“You’ll stay here until you’ve properly considered your ways and repented,” Lady Crawft told her as the phaeton lurched to a stop. “I can’t believe you told the Earl ‘no.’ It’s appalling. Why, it’s criminal!”
“But Mama!” Alice protested. “I didn’t refuse him. I told him I would consider his offer and reply within the year.”
“That’s not what he said. He said you told him you wouldn’t marry him in a thousand years.”
“The Earl exaggerates,” Alice said.
“Nonsense,” Lady Crawft snapped as the footman opened the phaeton’s door. “You will conjure up a yes or you will stay here forever.”
The footman helped Lady Crawft and Alice down.
Hope Hall loomed over them, an extravagant affair constructed in complete disregard for any moral principles involving moderation or humility. It looked like a bank cross-bred with Michelangelo’s private sculpture collection. Huge Doric pillars spanned the forty-foot-wide front stair. Alice’s uncle, the Duke of Hopenheim, hid among the pillars, a sour look on his face as if he were waiting to be struck.
“Christopher!” Lady Cawft exclaimed. The Duke winced. “You look much worse than last time I saw you, are you getting enough air?” Lady Crawft hauled Alice up to the top of the steps where pleasantries were exchanged at double speed. Uncle H led them inside where more pleasantries were exchanged with Alice’s aloof cousin, Lyra. Lyra was always stunning with her auburn hair curling away from her high brow and her dark eyes, which glinted with a coldness the Devil himself would have found terrifying.
Alice wanted to turn, leap into the phaeton and flee.
Instead, Jeebie, the butler, escorted her to her room.
“Yes, yes,” said Lady Crawft, “take her away, I must apprise my brother of the situation.” Which of course meant telling him Alice had refused an Earl and must be talked into changing her mind, which was Uncle H’s specialty. He was the most influential Member of Parliament, infamous for bringing his staunchest opponents around to his point of view in a matter of minutes. Most of them, anyway.
Once Jeebie had deposited her in her room, she bolted the door and opened her trunk to dig out her copy of Poetry for the Cultured Mind’s Expansion and Refurbishment by E.A. Wandlund. She paused, thinking she heard a funny scratching sound from the wall near the walk-in armoire. Mice, she thought, how appropriate. Her skin crawled and she fled to the chaise by the window with her collection of dry poetry.
She always sat there on her visits to the Hall. She would wrap the gauzy curtains around herself so she could see neither the room nor the garden outside, but the sun would glow golden through the pale yellow curtains and illuminate her book.
It couldn’t have been more than half a heartbeat later that Lady Crawft banged on the door. Alice jumped out of her skin.
“Alice!” Lady Crawft demanded. “Open the door.”
Alice dove out of her curtain shroud and looked about the room for a mode of escape. There was only one door, but the room afforded a ridiculous number of other options. She normally tried not to look around when she stayed here, it was too horrible. Now its many gloomy nooks and crannies seemed delightful.
There was a massive vanity and a washstand with a bowl big enough to bathe a dog in. Perhaps she could hide there. Or under the bed. One could hide a regiment under that bed. In fact, Alice had always been convinced that a there was a regiment under the bed, a dead regiment in open coffins. There was the armoire, but Lyra had always delighted in pulling Alice into the dark stuffy confines and telling her ghost stories about the woman in white who perished in the forest but refused to rest.
“Alice,” Lady Crawft repeated, “open this door at once, I must speak with you on the subject of your marriage.”
Alice darted into the armoire. It was bare. She hadn’t unpacked, which meant that as soon as Lady Crawft opened it, Alice would be exposed. And it sounded as if Lady Crawft was breaking down the bedroom door at that very moment.
Alice’s back pressed against the back of the armoire. Again she heard the mice in the wall; their frantic shuffling mirroring her heart.
“Alice! Open. This. Door. Now!” Alice splayed her hands against the back of the armoire and squeezed her eyes shut. Her finger pressed a knot. The armoire back flipped open, dumping her into a secret passage.
Landing on her derriere in a cloud of dust, she thought, So this was how Lyra snuck into my room to imitate dead soldiers under my bed. Her nose twitched. She sneezed.
“Alice?” Lady Crawft asked.
Alice felt around for the secret door and pushed it closed. Her mother’s demands for immediate matrimony were muted. She stood in the narrow passage and inched along, trailing her hands along each wall. The dark was terrifying. She couldn’t see a thing, but she was so very tired of hearing the tedious reasons for her insalubrious marriage enumerated. She came to another door. She opened it and peered in. It appeared to be the interior of Lyra’s wardrobe. No one else would wear such immodestly adorned gowns, especially not Uncle Hopenheim.
Lyra was not very high on Alice’s list of favorable alternatives to coercion so she closed the door quietly and kept moving down the passage. A light flickered somewhere ahead. Behind her came the distant sounds of Lady Crawft beating on her door.
Alice quickened her pace and fell face-first down a very narrow flight of stairs. She tumbled with a cry of horror into a tiny space. Regrettably, the space was already occupied.
“Ow!” yelped a voice.
Alice gasped wordlessly in shock and pain, her limbs tangling with more limbs that were certainly not hers.
“You’re crushing my arm,” a voice said in her ear. “And most of my other body parts as well.” Alice nearly screamed, scrambling off the invisible person and bashing into the wall rather violently; violently enough to give her a goose egg on the back of her head. Her heart sputtered and nearly died.
There was a scratch and a flare as a flint was struck, then a candle bloomed to life and Alice could see a young man with grey eyes that twinkled rather demonically, through a tangled mass of grey curls – although they seemed to be grey from dust and cobwebs rather than the natural cause of aging. His face was thin and his nose and ears stuck out rather comically. Alice sighed in relief – he wasn’t a dead soldier.
“Oh, hello,” he said, looking at her curiously. “Who are you?”
Alice turned red and tried to stand, but her ankle squealed in protest and she collapsed. “Oh, I’ve broken my ankle!” she exclaimed.
“Gosh,” said the young man, kneeling and setting down his candle. “You shouldn’t go around without a light, you know,” he admonished, taking her foot gently and examining it.
Alice thought she might faint. “You shouldn’t either,” she gasped, not sure why she said it. Lack of air seemed the most logical answer.
“I have a light, I just put it out because I thought one of those horrid Hopenheims was coming,” the young man explained. “Your ankle’s not broken. What are you doing in Hope Hall?”
“The other one.”
“What other Hall?”
“No, my other ankle is broken,” she said, holding it out. She wasn’t sure why; it certainly seemed unlikely he was a doctor. She just wanted someone — anyone — to tell her she was fine. The prospect of lying in bed in Hope Hall was far more terrifying than being alone in a secret passage with a complete stranger whilst being deprived of air.
“What are you doing in Hope Hall?” the young man repeated, looking at her other ankle.
“What are you doing? Who are you?” Alice asked.
“Ah, that would be top secret,” the young man said, winking. Alice was mortified.
“Did you just wink at me?” Alice asked.
“Yes,” he replied, apparently taken aback. “Does that offend you? Your other ankle is also not broken.”
“Yes, that offends me!” Alice said. “I mean, the winking, not the ankle. I mean…it’s very familiar.”
“Ankles are,” the young man nodded, picking up his candle and standing. Alice blushed. She didn’t like his being familiar with her ankles, nor remarking on his familiarity with ankles, hers or otherwise.
She also stood, wincing. It forced her into scandalous proximity with the strange young man. She stared up into the curved nostrils of his epic nose. Behind her were the stairs, up which she very nearly flew, but the strange young man opened a door on the other side of the tiny space and Alice’s curiosity rooted her in place. Where did the secret passages in Hope Hall lead? What was this young man dressed rather like a highwayman doing here? Surely burglars dressed in floppy hats, fingerless gloves and jackets, not greatcoats and scarves?
“Who are you?” Alice demanded. It wasn’t very polite, but she was certain that he wasn’t one of the servants, and so a little rudeness could be excused as he presumably didn’t belong in the house.
“Call me Creamey,” he said. “And you?”
“Alice — I…I mean, Miss Crawft,” she said. She really needed some air. The things one did when deprived were truly quite frightful.
Creamey stepped through the door. Alice thought again of fleeing back up the stairs to her room, but as Creamey vanished into the mysteries of Hope Hall, the candlelight went with him, plunging Alice once more into darkness.
Alice lurched through the door after him. Once back in the light, she proceeded more cautiously. Her left ankle still hurt some when she stepped on it. They emerged in another ridiculously narrow passage with a door at one end and steps going down at the other.
“I see, and your business?” Creamey asked, heading towards the steps.
“This is my cousin’s house.”
“Oh…” Creamey said, stopping at the top of the steps. He turned to her. “Um, ah, you won’t mention seeing me, will you?”
“I don’t see that I shouldn’t,” Alice said, much more bravely than she felt. It occurred to her a shocking number of knives could be concealed in a coat of such voluminous nature. Creamey grinned rather queasily.
“Look…I—” he was cut off by footsteps coming down the stairs behind them. The Duke of Hopenheim’s voice boomed down the passageways.
“Heaven help us all,” he was saying. “I can’t imagine that poet is still alive!” The poet in question was Alice’s father. “What he has to put up with… it makes my skin crawl and my eyes flood with sympathetic tears – and you know how unsympathetic I am.”
“Yes, Papa,” Lyra’s voice answered.
“Dammit,” Creamey said, grabbing Alice’s arm and running down the stairs. Alice bolted gladly. The last thing she wanted was to be caught by her cousin and uncle in secret passageways with a strange young man of questionable occupation.
Her ankle threatened to shatter on each step. They reached the bottom as the door in the passage above creaked open. Alice and Creamey sprinted down a long tunnel lined with alcoves, which held horrible things like, medieval torture devices, casks of vintage wine, a few coffins, some old needlepoint, and a statue of Uncle Hopenheim. The air was musty, and odors of mold drifted on the slight draft that stirred the cobwebs dangling from Uncle H’s graven image.
The passage opened up into an ancient cellar; or perhaps it was a dungeon. There was a barred door on one side and a regular door on the other. Straight across from the tunnel opening was a very old looking wooden door banded by strips of iron with large, wicked looking spikes. A collection of antique weaponry occupied the center of the stone cellar: cobweb-coated trunks and racks of rusted rifles, an old canon, poleaxes, and an assortment of bayonets and blunderbuss parts.
“Which way?” Creamey asked.
“I don’t know!” wailed Alice. “I’ve never been down here before.”
Creamey raced to the ordinary door. He peeked in and closed it. “Crypt,” he pronounced. Alice grabbed a rusty sword from the collection.
“Crypt?” she squeaked. Creamey raced to the barred door. It was locked. Alice followed him to the last door, which stood slightly ajar. The Duke’s voice boomed from the stairs.
“You understand the importance of the marriage, of course?”
“I suppose,” Lyra replied.
Alice frowned. Now they were both on to it… how miserable her stay was going to be. Especially if she got caught down here. She followed Creamey through the door. Creamey’s candle glinted on glass phials, beakers and tubes lined out on tables. There were horrible chains hanging from the ceiling and several metal cots lined in a row. A hulking boiler loomed in one corner and wires curled down the walls to connect with great awful gears and tubes and crank handles.
“God’s molars,” said Creamey. Alice gaped at him. “Pardon,” he amended. Then, looking around, he added, “but in all seriousness, God’s molars and eyeteeth!” There was no exit. They couldn’t go back out into the cellar: Hopenheim and Lyra would have reached the tunnel by now and would see their candle…
Creamey pointed at several large cabinets. He opened one, but it was full of bottles labeled with things like, ‘formaldehyde’ and ‘mandrake.’ There was even a brain floating in a large jar. Alice shuddered, looking away from the horrid, slimy things. Her stomach was already tight with fear, which was probably for the best, or she might have emptied it right there.
The next cabinet contained books with authors like Archimedes, Galen, Ocelot, and Paracelsus. Hopenheim and Lyra’s voices were getting closer.
Creamey dashed over to an iron maiden propped up in the corner. He pushed it open. It must have been put to regular use, the joints well oiled, because it didn’t make a sound. He closed himself in, extinguishing his candle.
Alice was about to protest when the door flew open.
Get the book: https://www.amazon.com/dp/B01LX8TJDL/ref=cm_sw_r_cp_apa_hpDnybN02H2Z3
And hop for more horror!

Friday, April 28, 2017
A Giveaway! With zombies!
I am giving away three copies of my horrifying (and delightful) Ambulatory Cadavers, a Regency Zombie Novel. So get ready to sink your teeth into a brain! I mean a book. Figuratively, I hope. Since tooth marks would not be very attractive on a book cover and saliva has sanitation issues.
This was such a fun book to write. All of the characters are my favorite characters, they just appeared to me on the page so real and often ridiculous. It's got it all: science (?!), Balls, art, zombies, gore, and even some romance. I could copy and paste the blurb here, but I'm too lazy, so I'll just state briefly that there are two cousins. One timid, one bold. One evil scientist, one reluctant fiancee. Oh, and a spy, and an artist and then a zombie with character, named Test.
Reviewers say that it is a literary romp!
So enter for a chance to win, I'll be signing the copies and probably slipping a little something extra into the packages (just some original art cards 😉). Did I mention I painted the image on the book cover?
Enter Giveaway
This was such a fun book to write. All of the characters are my favorite characters, they just appeared to me on the page so real and often ridiculous. It's got it all: science (?!), Balls, art, zombies, gore, and even some romance. I could copy and paste the blurb here, but I'm too lazy, so I'll just state briefly that there are two cousins. One timid, one bold. One evil scientist, one reluctant fiancee. Oh, and a spy, and an artist and then a zombie with character, named Test.
Reviewers say that it is a literary romp!
So enter for a chance to win, I'll be signing the copies and probably slipping a little something extra into the packages (just some original art cards 😉). Did I mention I painted the image on the book cover?
Goodreads Book Giveaway
Ambulatory Cadavers
by McCallum J. Morgan
Giveaway ends May 12, 2017.
See the giveaway details at Goodreads.
See the giveaway details at Goodreads.
Tuesday, February 14, 2017
Ambulatory Cadavers Excerpt
Chapter
Fourteen: In Which Alice Joins the Buffet
A zombie soared through
the glittering glass and flopped in a heap on top of the harpsichord.
“Braiiiiiins!” it shrieked, and chomped into the harpsichordist’s forehead.
Blood sprayed across the violist’s sheet music and the whole room screamed as
one.
Alice clutched Clara as
everyone started to run in all directions, screaming and falling and trampling
one another. Viols and violas flew through the air as the musicians scrambled
and the zombie polished off the harpsichordist’s nerve center.
The lady in the turban
knocked Clara over as she went pounding by in the direction of the door. The
two zombies lurched into the crowd from either side. The party population
surged towards the door. Several fine ladies and gentlemen managed to trample
Clara before Alice could peel her off the floor. She tried to fight the flow of
gentry, but they were swept along on the screaming, fruitless attempt at the
door.
For a moment, Alice
hoped it would not be fruitless as the doors bowed under the pressure of
frantic lords and ladies, but it held. Probably for the best, she thought; that
many people trying to exit down the hall at once would have been deadly. Now
the crowd scattered, pushing and shoving and wailing.
The zombies seemed to be
peering through the masses, grabbing the odd guest and comparing them to a
locket they each wore. They shoved most of the screaming people away, but
randomly, they would snack on a brain here and there.
Asa Crimpton had come
through the window at some point and now stood on the sagging harpsichord,
wearing a black mask and surveying the melee with a pair of opera glasses.
“I’ll never read novels
again!” Clara swore, crossing herself.
Alice dragged her
through the confusion, trying to slip around the zombies towards the windows.
The pocket watch zombie threw on elderly punch drinker to the side and made for
them.
“Run!” Alice said,
tugging on Clara. But there were so many other people running the opposite way
and crosswise. Charles appeared out of the confusion and pulled them off
towards the dining room, punching and shoving people out of his way.
“Women into the dining
room!” he yelled.
He grabbed Lyra on the
way.
“What are you doing?”
she protested.
“That necromancer can’t
keep track of everything in this mess!” he shouted back. “If Test goes for you
or Alice, he might not see. Besides, if we get the women out of the way it’ll
be easier to find Wickwood.”
“What?” asked Clara.
Charles pushed them into
the dining room. It seemed that quite a few of the ladies had already had this
notion. And several men who were hiding under the table. Lyra checked that none
of them were Lord Wickwood then threw the tablecloth back down and tried to
fight her way out of the room, but the ladies kept pouring in and she made no
headway. Alice pulled Clara along the table to the center and opened the
smelling bottle. The two girls bent their heads over it and struggled to remain
conscious. Mrs. Crawft cowered in the corner of the room, clutching a
candelabra.
Out in the ballroom,
Alice could hear Charles rallying the men. “Let’s re-kill these bastards, eh?”
Then the door closed and
the lady in the turban locked it and lodged a dining chair under the handle.
Outside, screams
reverberated and the chomping accelerated. There were a few pistol shots and
then another scream.
“My babies!” Lyra
wailed. The other ladies looked at her in confusion.
They all huddled in the
semi-darkness as the candles sputtered and the men under the table whimpered.
Alice was sandwiched between Lyra and Clara. Lyra’s reticule was tied to her
cord belt, dangling and clinking…
Shattering noises,
wails, and trampling footsteps came from the ballroom.
Then the door splintered
and the chair snapped. The ladies screeched and squealed, pressing away from
the doors. Alice grabbed Lyra’s reticule and ripped it loose.
The wilted-looking
zombie came groaning into the room, flopping its arms and grinning. It grabbed
the turban lady and bit into her head. It came away with a mouthful of silk and
spluttered. Spitting and grimacing, it threw the lady to the side and lurched
further into the room. The ladies struggled amongst each other to get away.
Many of them, including Alice and Clara, leapt onto the table, hitching up
their skirts and dancing about as if there was a mouse.
The zombie grinned up at
their undergarments and clapped. It started to pull them off one by one and
split their heads open. The ladies got the idea and jumped off the table,
fleeing back into the ballroom.
The corpse made his way
down the buffet to Alice and Clara. Alice was paralyzed. Clara had lost her
wits in the horror and danced a mad cancan. The zombie grinned and reached for
her hungrily. Another lady of more fortitude picked up the epergne from the
center of the table, dumped the flowers and fruit off and hurled it at the
zombie’s head. The creature stumbled back and advanced again. Alice unlocked
her frozen limbs and pushed the hysterical Clara behind her.
The zombie reached up
and grabbed Alice’s wrist—the wrist of the hand that held the smelling bottle.
As the zombie pulled her off the table, the bottle fell out of her limp grasp
and shattered on the creature’s head.
The ammonia and salt
trickled down his face into his mouth and he wailed, letting go of Alice. Alice
promptly slid under the table and cowered next to Lyra’s looker. The zombie
screamed, its terrible voice rising in pitch until the chandelier shattered and
the mirror cracked. It fell to the marble floor next to Alice, its sightless
eyes staring at her. She screamed and scooted back, bumping into a punch
drinker, but the zombie did not move.
buy the book here
buy the book here
Labels:
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Wednesday, October 12, 2016
Ambulatory Cadavers Art and Giveaway!
The October Frights Blog Hop continues!
Today we have art and a giveaway!
I had a post on here about the drive to write and how it's like being a host for some alien intelligence that compels you to write (here it is, if you want to check it out). Writing isn't the only thing I'm a host for. I have an alien compulsion to draw, too. Often it seems to be another facet of the writing compulsion: I have to draw what I write. I like to be able to see my characters and how they dress, since I usually write stories set in another time period, and with Ambulatory Cadavers I had to see them especially clearly, because they would appear on my book cover.
I've always loved the Regency period. I studied fashion plates and illustrations of the clothing of that period before designing the cover. It had to be authentic.
Test was of course the most important character to design, being the zombie representative of the book. I think I was sketching ideas in April 2015 when I was writing the first draft. I wanted something decayed but cartoonish, like Plants vs. Zombies. But also somewhat classy and dignified. I think I found the right balance.
The compulsion never ends: I started out testing my new ink dip pens and before I knew it, I had the whole cast of Ambulatory Cadavers. These were really fun to paint: fast and furious.
If you like these ink dip pen and watercolor portraits, you're in luck, because I'm giving away a set of 5x7 prints! That's six altogether: Alice, Test, Lyra, Creamey, Charles, and Asa. Also, I'm giving away a print of the painting that was used in the book's cover.
a Rafflecopter giveaway
Also, here is a preorder link for Ambulatory Cadavers
An InLinkz Link-up
Today we have art and a giveaway!
I had a post on here about the drive to write and how it's like being a host for some alien intelligence that compels you to write (here it is, if you want to check it out). Writing isn't the only thing I'm a host for. I have an alien compulsion to draw, too. Often it seems to be another facet of the writing compulsion: I have to draw what I write. I like to be able to see my characters and how they dress, since I usually write stories set in another time period, and with Ambulatory Cadavers I had to see them especially clearly, because they would appear on my book cover.
I've always loved the Regency period. I studied fashion plates and illustrations of the clothing of that period before designing the cover. It had to be authentic.
Test was of course the most important character to design, being the zombie representative of the book. I think I was sketching ideas in April 2015 when I was writing the first draft. I wanted something decayed but cartoonish, like Plants vs. Zombies. But also somewhat classy and dignified. I think I found the right balance.
![]() |
Katie M John is the wizard who framed my painting. Wonderful isn't it? And drippy. She is wearing a matching velvet bonnet and spencer: the short jacket popular during the Regency era. |
Oil portrait of Test |
The compulsion never ends: I started out testing my new ink dip pens and before I knew it, I had the whole cast of Ambulatory Cadavers. These were really fun to paint: fast and furious.
Asa Crimpton--Artist and Medium. As a professional artist, it is perfectly acceptable for him to view naked women. |
Charles von Hopenheim--Not much up in the skull, but lots in the heart, although most of it is futilely directed at his cousin, Lyra. |
Creamey--A strange young man of questionable occupation. Is his nose broken or does it have naturally graceful curvature? |
Lyra von Hopenheim--Avid scientist and social rebel. Sometimes a coup d'etat is the only answer. |
Test--He's really very handsome actually...in a way. But he will eat your hydrangeas. They make a lovely garnish for brains. |
Alice Crawft--Lyra's cousin. Doomed to an odious marriage. She enjoys edifying poetry, painting, and the pianoforte. |
a Rafflecopter giveaway
Also, here is a preorder link for Ambulatory Cadavers
An InLinkz Link-up
Labels:
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halloween,
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zombies
Tuesday, October 11, 2016
A New World of Horror...and Smelling Salts
This is sort of a re-post of stuff I had on my Cover Reveal party for Ambulatory Cadavers. It introduces the world of Monezuela were the book takes place.
Ambulatory Cadavers is my new horror comedy novella, coming October 31!
Blurb:
Two cousins. One on the verge of a great discovery—and excessive power, wealth, and infamy—the other on the verge of an odious marriage.
Ambulatory Cadavers is my new horror comedy novella, coming October 31!
Blurb:
Two cousins. One on the verge of a great discovery—and excessive power, wealth, and infamy—the other on the verge of an odious marriage.
Lyra will stop at nothing to achieve her father’s
dream of dissolving Parliament into so much anatomical sludge, searching out
the farthest reaches of science and the arcane arts. Until her own dreams begin
to awaken, jolted by the electric sparkle of an artist’s eyes.
Alice’s worst nightmares begin to awaken as great
expectations weigh upon her and her answer to a very important question is
awaited. Lacking a strong constitution, Alice can only run from her
problems—until she runs into a strange young man of questionable occupation and
discovers her cousin’s terrible plans.
The dead are about to
rise, the Lords are about to fall, and things are about to get creamy. And high
society will never be the same again.
Bamberg…the ripest nest of vipers in all Monezuela. In all
the world, in fact. I created Bamberg as the setting of my own barber tragedy
after watching Tim Burton’s Sweeney Todd,
the Demon Barber of Fleet Street. It became the home of many wild tales of
darkness and crime. And ridiculously foolish and fashion-prone individuals. I
knew that someday I would write about this place, this notorious city and the
country of which it is capital: a land without a continent, an un-sunk
Atlantis. I did not know that this day would come so soon.
Bamberg was just waiting to have a story slapped down in its
winding streets and catacombs and slums and elaborate parks. So where else
could I put the walking dead when they came ambulating across my laptop screen?
I actually already have an unpublished story lurking around
somewhere that was meant to be set in Bamberg, but I don’t think I use the
name. At any rate, I think Ambulatory
Cadavers is a much better introduction into this comical hive of
wickedness. It will ease us gently into this world, a world that really was
still somewhat undefined and foggy. We will spend quite a bit of time out in
the countryside near the city before diving into the streets and the bloodshed
that will ensue.
Are you ready to follow me into Monezuela and Bamberg? Keep
a close eye on your pocket book, your china, your unmentionables and your
relatives.
Review of Ambulatory Cadavers by Mr. Harold B. Farthingale
for the Bamberg Daily Discharge
This is a highly
disgusting work of fiction. Hysterical and lewd, it depicts obscene violence in
a cavalier manner and plays with words as if they were of no consequence. The
characters display little or no remorse for their hideous actions and fall in
love with unrealistic candidates. This is sure to give impressionable young
people a distorted outlook on life and morals and fill their heads with
complete nonsense.
Furthermore, blue kissing is metaphorically described in
vivid detail and decapitation is portrayed with gruesome and callous abandon.
This type of sensational writing is neither skillful nor of remote value. It is
frivolous and wicked and should not be purchased, borrowed or hidden beneath
stockings in bureau drawers
Saturday, September 17, 2016
Ambulatory Cadavers Excerpt
Chapter Three: In Which Lyra’s Diabolical Plans Are Thwarted
Lyra hated company. One had to get up so god-awful
early. The Duke of Hopenheim was always very strict about traditional
Monezuelan breakfast, even though fashionable society had begun to adopt the
British form of breaking the fast in a much less formal manner. The Duke of
Hopenheim liked to have everyone together in the mornings so he could glare at
them all in turn and tell them what he thought they ought to do with their
lives. And he insisted upon dress.
Afraid of Alice’s quaint way of looking much too
sprightly in the mornings, Lyra rose especially early to make absolute certain
that her barmy cousin didn’t outdo her. She had to rouse her lady’s maid from
an apparent binge sleep-off and wasted a good ten minutes getting Bridgette out
of bed and then thirty to get her hair satisfactorily tamed into an acceptable
arrangement of curls and topknot. Perhaps she should just get a Titus cut, it
would be less trouble.
After much deliberation and very little input from
the sluggish maid, Lyra decided on a cream chiffon and silk gown. Then she
realized a bit of ribbon needed sewing back on and dresses and pearls and
bonnets and shoes and parasols hurricaned around the room.
Lyra grudgingly slipped into a pale blue muslin
gown and tripped down to breakfast late. Lyra stopped on the thresh-hold. The
breakfast room was empty save for the butler.
“What’s the meaning of this, Jeebie?”
“Miss?”
“I haven’t missed breakfast, have I?” Lyra asked,
suddenly greatly afraid. “Did Leroux make my favorite?” She always missed
breakfast when Leroux made her favorite.
“No, miss,” Jeebie said, pulling out a chair.
“No to which?”
“You have not missed breakfast, but neither has
Leroux made your favorite.”
Lyra sighed. When would things work out in her
favor? She glanced down at her gown. All this carefulness for nothing. She
strode into the room and took her seat.
“Where is Alice? And Papa?”
“Still asleep, m’lady,” Jeebie said, placing a
plate before her.
“Ah, well, let them miss out, I say,” Lyra said.
She tucked in with enthusiasm. More enthusiasm than was generally considered
proper for a young lady, but no one was at breakfast, so she excused herself.
“More sausage,” she demanded.
Lyra was halfway through her indecorous seconds
when Alice arrived. Lyra swallowed rapidly, nearly choking, and assumed a more
polite eating rhythm. She glowered at Alice’s lustrous hair, perfectly arranged
with little flowers of silk. Her porcelain complexion, humongous blue eyes,
sweet as a baby’s, and adorable little nose and mouth always made Lyra furious.
“Good morning, Alice,” Lyra said. “I thought you’d
never come!”
“So did I,” Alice said resignedly, “but I got so
hungry. Is…uncle here?” Alice looked around fearfully.
Lyra rolled her eyes. “Yes, he’s invisible,” she
said sardonically.
Alice started and gasped quietly. “He is?”
“No, you twit,” Lyra scoffed, silently praying for
the chandelier to fall on her head.
“Oh,” Alice said, her voice heavy with relief. “Is
he not coming down to breakfast?” she asked hopefully.
“I hope not,” Lyra said.
Alice smiled tentatively. Or maybe not, it was
hard to tell since Alice seemed to do everything tentatively. Even sitting
down. Alice sat down tentatively and began to tentatively taste her breakfast.
Hungry indeed. She must have slept in late to recover from Aunt Elizabeth’s
tirade. That must be what was keeping Papa in bed as well.
“I hear you have a proposal,” Lyra said
innocently. Alice cringed. “Rupert Winkle, the Earl of Chornby.”
“He did propose to me,” Alice confirmed
tentatively. Lyra silently applauded her; the girl was an artist of the
oxymoronic.
“You could do worse,” Lyra said.
“Not much
worse, I should guess,” Alice responded. Lyra was shocked. The girl actually
had fight in her.
“He is a hideous old sack of vitriol,” Lyra said,
“but he could be a hideous old sack of vitriol without a title.”
“I could give him many titles,” Alice mumbled.
“What did
you say?” Lyra asked, leaning forward.
“Nothing,” Alice said, turning a lovely shade of
scarlet. Lyra was astounded.
“What kind of titles?”
“I shouldn’t,” Alice said, “he really hasn’t done
me any wrong other than ask for my hand whilst holding such prestige and titles
and an unfortunate lack of the delightful in his personality.”
“He strikes me as a wife beater,” Lyra said.
“No!” gasped Alice. “I mean, surely not. He seems
more like the kind who might stay away for long periods of blissful time.” A
hopeful look came across her face.
“So you’re giving up?” Lyra asked, on one hand
disappointed in what she had thought was a new and braver Alice, and on the
other delighted that she would soon be leaving.
“I didn’t say that,” Alice said. “I started out to
defend his character and found myself on a road I did not want to be on.”
“That’s what happens when you defend characters
undeserving of kindness and friendship.”
“That’s very uncharitable,” Alice admonished.
“Charity,” Lyra said disparagingly, “what a
useless scrap of rubbish.”
“’And above all things have fervent charity among
yourselves: for charity shall cover the multitude of sins’” Alice said.
“Jeebie!” Lyra called. “Bring me the newspaper,
she’s quoting scripture!”
Jeebie brought her a freshly cut and ironed paper
and vanished back into the shadows. Butlers, supernatural creatures of
darkness. It was like having a djinn. She flipped through the paper, making
sure to hold it forbiddingly between her and Alice.
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