Showing posts with label illustration. Show all posts
Showing posts with label illustration. Show all posts

Thursday, October 10, 2024

The Caterpillar




Hello! Welcome back to the October Frights Blog Hop! I'm always excited to be part of it, and this year we have a mini book fair, too! You can find the links to that, as well as to the other participating blogs, below the story.


Here's a short story I wrote a while back, inspired by a random caterpillar, so tiny, so fuzzy...but what if he wasn't so tiny? What if there were layers to what he meant?



The Caterpillar


“I told you that would happen,” I mutter, erasing furiously. But I'm not talking about the jagged sketch slowly coming to life in my notebook.

Bulging eyes and fine hairs sprouting from a bulbous, segmented body. I don't like the curve of its body. The eraser flashes, grinding out lines.

"I said someone--would--get--hurt, if you--didn't--"

Again, I'm not talking about the caterpillar that is filling the page with angry pencil scratches.

*

"It'll be fine," my boss said.

“No it won’t, it—” I insisted, but he cut me off.

“We’re behind schedule,” he said, turning away. An unspoken sentence wriggled its way through the mush of my brain, The company is losing money. Faster, faster, faster. The words gnawed at me. I made eye contact with my coworker, Sam, and I could tell the same rage was chewing him up. We went for a smoke break and bitched, but that hardly calmed me down. Sam puffed out a noxious cloud and sighed, “Guess we better go up.”

I didn’t answer, but I followed him.

*

With a hiss, the pencil flashes across the page. The lines are darkening as the sketch takes shape, leaving behind the faint skeleton, leaping off the page, coming to life. I pause. I pick up my tea and sip. Fragrant leaf juice. My hand starts shaking again and I force it to continue drawing. I don’t know what I’ll do when the drawing is done…it’s so close. The outlines of everything are there, the details filling in—little feet—little claws—more fine hairs—dripping—even smaller hairs—droplets—I want to slow down. I don’t want to finish it. But I can’t stop or the shakes will catch up. The pain will find me.

*

“What would you do, if you could have any job in the world?” Sam asked. We were at the top of the building, stacking shingles.

“I’d be an artist, I guess,” I said. “Concept art for movies. Watch my drawings come to life. You?”

Sam paused.

“It’s stupid.”

“No, tell me!” I said and swatted him with a loose shingle before tossing it off the roof.

“An entomologist,” Sam admitted.

“A bug scientist?” I laughed, but then caught the hurt in his eyes. “That’s actually cool,” I hurried to assure him.

“I particularly wanted to study larval stages,” Sam continued, looking out over the treetops. “Maybe we’re in a larval stage, and we’ll spin cocoons soon, and emerge changed.”

I scoffed.

“More like this is the cocoon,” I said, throwing another broken shingle off the roof. I hefted a stack of the damn things and headed up the roof, going slowly to avoid slipping. “I feel like anatomical sludge being sloshed around inside a wrapper.”

“I’d like to study you, then,” Sam said, mischievously.

“Oh god,” muttered. Sam just laughed, a bright sound that bounced out over the trees into the sun.

*

The drawing forms like a moth out of anatomical sludge. I think of my boss’s face as I sketch it. But I see it angry in my mind’s eye. I hear his voice.

“We’re going to have to let Sam go.”

I have one last thing to make the drawing complete. I need to change this face. The eraser flashes.

*

“Why?” I demanded. “That’s stupid! Sam’s the only good worker we have, myself included.”

“Don’t call me stupid,” my boss warned, his voice dripping with ice. I glanced at the cross on the wall behind his desk.

“Does it have anything to do with his new tattoo? His Satanic tattoo?” I asked, filling the word with sarcasm.

“You’re on thin ice already, don’t try pulling that card,” my boss snapped. I stood up and shook my head.

I’m warning you,” I said.

“Get out.”

*

The pencil stops.

There. The face is perfect. The features are taut with horror and pain. I lay the pencil down next to the notebook and let out a long, shaky sigh. It’s done. I glance at the clock and groan. It’s twelve fifteen. I need to be in bed. Instead, I stare at the drawing and sip my cold tea. Leaf juice.

The caterpillar in the drawing is plump and hairy, with huge eyes that glitter with a thousand lenses. Its mandibles are buried in the neck of my boss, who thrashes in the claws of the gigantic larva. I shake my head and slam down my tea. I need some sleep.

*

Sam’s laugh, bouncing, rolling, falling, tumbling, so bright, fading away…mandibles and blood. Satanic tattoo. You’re on thin ice! We’re going to have to let Sam go. He doesn’t deserve this! The silken threads of a cocoon covered me with slithering smoothness. It’s time to transform, to metamorphose!

*

I don’t sleep. The dreams tumble and my alarm saves me from them, only to dump me back into the harsh grey reality. The grief hasn’t caught up. Yet.

I drive to work, barely awake, hugging my coffee. I stop at a cafe to grab a breakfast burrito and three cop cars and an ambulance wail by while I wait for yet another coffee. I shudder. 

My boss isn’t at work. No one can get a hold of him. I just get his voicemail. I send him forty texts and stare blearily at the two other guys on the crew. They can’t get a hold of him, either. We just stand there. No one wants to go back to that job. And maybe our boss doesn’t either.

Maybe I should cut him some slack.

“This is typical,” I mutter.

After another five minutes of waiting, I’ve had enough.

“I’m going to drive to his house,” I say. “Maybe he’s still asleep.”

But he’s not. The three emergency vehicles I saw earlier are waiting for me at his house. There’s a cop, holding out his hand to stop me. But as he does, another stumbles out of the house and throws up in the snow.

A paramedic is leading a hysterical woman out of the house—my boss’s wife.

“It was a caterpillar!” She wails as the paramedic tries to calm her down. “A giant caterpillar!”

My stomach goes cold and I drop my coffee.

“There’s nothing to see here,” the first cop tells me.

“B-but,” I stammer. “What happened? Where’s my boss?”

“We’re looking,” the cop says. The one behind him throws up in the snow again. “It doesn’t look good. Go home.”

“It ate him alive!” Screams his wife as she is bundled into a car.

*

At home, I face the drawing, pinned up on the wall.

I told you this would happen.

But I’m not talking about the impossible.

My drawing had come to life somehow. Where was the giant caterpillar now? Cocooned somewhere? Preparing to metamorphose? I look at my hands. Had I become the caterpillar in the night? Stupid.

But his wife couldn’t have hallucinated my drawing in the same night. They were still looking for his body. But there were no remains. The caterpillar had devoured him utterly. I know it.

*

The roof was icy. We shouldn’t have been up there. And the harnesses were so old…Sam bounced like his laughter off the edge of the roof. The damn harness broke, like I had told my boss a hundred times it would. I nearly slipped off the edge myself, rushing, breathless, to look down on Sam, lying broken in the snow.

I dialed frantically with numb fingers and waited in the cold sunlight as the ambulance drove thirty miles to get to us. I made it safely down to Sam’s side and covered him with almost all of my clothes.

“Can you move anything?” I asked.

“You have pretty eyes, Jake,” he whispered.

“Can you feel your legs?” I demanded.

He made it to the hospital. He made it a whole two days, completely encased in a cocoon of plaster. And then his eyes faded. And Sam faded like the echo of his laughter.

*

I open my eyes and they are stinging. The drawing swims before me. The vicious caterpillar devouring my boss, whose face is twisted in all the horrible agony I have felt these past three days. He wanted us to come back to work today. Sam was barely cold. The pencil snaps in my hand.

"I said someone--would--get--hurt, if you—didn't--"

And I’m not talking about the caterpillar.

I shouldn’t have pushed back when my boss threatened to fire Sam. Sam would still be alive.

Crunching crawls through the snow outside and a shiver runs down my spine. Something is out there.

I grab my baseball bat and creep to the window. Something bumps against the house. Something huge. It slithers across the siding. I peer through the frosty glass. Something large has made a wide rut through the snow on the lawn.

The door creaks. Creaks louder. I hold my breath, my hands shaking, squeezing the bat. Creaaaaaaak…

Bam! With a thunderous crash, the door caves in and huge rolls of monstrous flesh push through, fine hairs dancing in a halo around it. I scream and drop the bat, scrambling backwards over the floor.

The monster swings its head toward me and the light sparkles in its thousand eye lenses.

“Jake,” the caterpillar says.

“You died,” I rasp.

“No…no, no, no, I metamorphosed,” Sam says, and his laugh bounces through the air.





Thank you for reading! Please enjoy more spooky content on the rest of the blog hop:

And the Book fair can be found here




Thursday, April 23, 2020

Plague Doctors! And Grimbound: Downloadable Coloring Books

Now available on my Etsy:
Plague Doctors Coloring Book
And Grimbound, the illustrations from Brooke Elden's dark retelling of Red Riding Hood

The Plague Doctor Coloring book contains nine images and is five dollars.

Xenomorph Midwife from the Plague Doctor Coloring Book

Perfume Monk from the plague doctor coloring book

Lady Doctor from the plague doctor coloring book

The Grimbound coloring book contains all thirteen of the illustrations for the book. Find out more about it and Brooke Elden on her site!
Grandmother's cottage from the Grimbound coloring book

Grim Reaper from the Grimbound coloring book

Sweets from the Grimbound Coloring book

And if you use the code CROWN before May 4th, you get 25 % off everything in my Etsy shop.



Saturday, March 4, 2017

A New Mythology--Oramon--Nomra and the Living Dark

   In the internal depths of Oramon, Nomra’s kingdom grew. Among her crystal forests and sculptured blocks of stone she grew new, strange plants for the dark spaces. Some of her new flowers gave light and some were made of living gemstones. She created also, great underground seas of water, molten gold, and milk.
   Before Denu and the wolves, and before she created her Night Light, she used Phiron’s fire to animate her first stone companion, Syn, who was cold and dead in aspect, but able to carve exquisite murals, statues, and hallways for Nomra’s expanding world. Phiron also helped her to make birds of sapphire and ruby that filled the halls with eerie music. She made, too, a steed of steel to carry her about her domain. It was named Sylo, and was like Phiron in form.
   Once, as Nomra rode Sylo to the edge of her demesne, she sought to form a new aviary for her birds. Phiron accompanied her, giving his light to reveal the dark that Nomra might form it as she pleased. But there was already someone there, asleep, as Neron and Nomra had slept in the shadow before light awoke them.
   Nomra drew back, startled and the dark swallowed the being up again before it could wake.
“What untold ancient one is this?” she wondered. “I have never seen the like.” Cautiously, she stepped forward again to reveal the being entirely.
   In her fear of new things, she subconsciously formed the dark as she revealed the new one, and in so doing, unintentionally disfigured the being.
   He opened his eyes and beheld Nomra.
   She was frightened by the terrifying aspect of the monster and turned her steed to flee.
   “Seem I strange unto thee?” he asked. “All is strange unto me. If I frighten you, let me veil myself.” And he took the darkness behind him and without Light, formed a covering for his many eyes and fluid limbs.
   “You create without Light,” Nomra marveled.
   “I have dreamed long and dreams are dark, their substance is real to me,” said the being. “The Dark is an insubstantial world, one of unending, unformed possibilities. The chaos of Night is not solid and can form and reform as it pleases.”
   “There is no need for such uncertainty,” Nomra said. “Let me show you the world of reality, of light and form and concrete beauty.”
   “I find true beauty in the abstract, yet you arouse my curiosity: show me these strange things you speak of,” the being said hungrily. 
   “What shall I call you, Strange One?" Nomra asked.
   "What wilt thou call me?”
   “Onys,” she said. “Of the Dark.”
    Onys nodded and approached Nomra. She led him into her kingdom and showed him the marvels thereof. Behind his veil of night, Onys’s eyes sparkled in delight.
   “These are indeed marvels,” said Onys. “I wonder what more marvelous things we could create in this half-light world of yours.”
   “Will you teach me how to create without Light?” Nomra asked.
   “It is not so much creation as suggestion,” Onys said. “To make things with Light is to bind the Dark. To weave Darkness is to teach it movement.”
   So together, Nomra and Onys made Urr, a great eye of living stone that could see far forward and far backward in time. They made also the Je, four winged maidens with long tongues like snakes.
Onys built a breathing throne of chaos in Nomra’s favorite crystal garden and from this blasphemous throne he perverted her creations.

   Onys unformed her jewel birds halfway, so that they were eternally changing shape, from one kind of bird to another and bats and other winged things that had no names. The breathing throne of chaos expanded to fill the crystal chamber and Onys let loose tendrils into other chambers. Eyes budded on the tendrils and soon he watched all that transpired in Nomra’s domain.
   At first Nomra did not mind the aberrant intrusion and expansion that filled her chambers with dreaded Darkness and seething malice. She was thrilled by the ever-changing, though horrifying madness of these new things. She did not mind that the unblinking tendril eyes of Onys watched her wherever she went and wept tears of blood when she bathed in the sea of milk.
   She did not even care that great hideous membranes grew between her stalactites and rained creeping things upon the stones.
   Phiron whispered to her, warning that Onys was a vile creature, that she should not let him conquer her domain. She did not listen. At first.
   She sought to form Darkness on her own, and shaped for herself the first true bats, but she could not bring them to life without the help of Onys. Frustrated, she sat beside the sea of molten gold, poisoned with the shifting chaos and sparkling eyes of Onys.
   “Nomra…” whispered Onys’s voice from a thousand hidden mouths. “Nomra…”
   Nomra stood and followed the hissing voices to where Onys waited on his throne of chaos.
   “Come to me, Nomra,” he said. “I desire you. Step into my throne and let me embrace you and enfold you in my murk.”
   Nomra held back as the Darkness seemed to tug at her. “I do not wish to,” Nomra said.
   “Do I not excite you?” enquired Onys. “Have you not thrilled at my intangible and ever inescapable pandemonium? Give yourself over to me, Nomra, let us be one in anarchy. Let the Dark change you as I have been changed, as you changed me, dear Nomra. Let me kiss you!”
   His tendrils of slime and membranes sought to pull her into his throne.
   Nomra screamed and pulled away as the churning mucus lapped at her feet and the sticky webs entangled her arms.
   “Phiron!” she cried. “Save me!”
   Phiron tried to reach her, but the Je intercepted him and herded him towards the edges of Light, where Darkness was supreme.
   “Do not touch me,” Nomra warned Onys, but he only laughed.
   “You cannot escape me,” said Onys.
   Nomra seized his webs of Dark that he sought to enwrap her in and used her new skill to reform them. They broke away from her and she fled from the throne into her chamber of sparkling flames. Onys sought to extinguish them with his eye-covered tentacles, but Nomra reformed the tendrils into solid things and with the faint flame-light, managed to freeze them into stone.
   Phiron had singed the Je and escaped from them. He rushed to aid Nomra and they solidified all of the Dark tendrils, tentacles, and creeping feelers and roots that extended from the throne. Then Nomra sealed up the throne in a cocoon of diamond. She left Phiron to blaze bight and keep the Darkness from emerging while she went to the surface to collect sunlight and fallen stars.
   When she returned to the sealed throne of chaos, she formed a cage of silver to contain her new Light. The first lamp, a dazzling Light, which she called Mihr, she hung outside the cocoon to ensure it remained sealed and kept Onys from emerging and bringing pandemonium to her demesne.
Then she and Phiron went through all the chambers and all the caverns and halls and froze the tendrils and closed the eyes and scrubbed the place clean of unformed Darkness. Syn chiseled away the solidified remains of Onys’s expansions and carted them off to a new pit, called Obis, that Nomra made for the purpose. She left Urr alone in its chamber, but sent Sylo to hunt down the Je, which she trapped in silver cages and hung above the gloom of Obis.
   With her new Underworld Light, Mihr, Nomra was at last able to give life to her shadow creatures. She brought her bats to life and sent them to slay all of her old birds that had been commandeered by Onys and then she formed new birds of diamonds and opals.
   She also made the wolves out of shadow and gave them life with the Light of Mihr.

   So Nomra won dominion over Shadow.