Showing posts with label vampire. Show all posts
Showing posts with label vampire. Show all posts

Tuesday, February 14, 2017

The Olwick Slasher

   Inspector Daveign was renowned for his skills in solving crimes and ferreting out murderers and thieves. He was also known for his curious knowledge of things beyond the normal scope of science. He had studied the histories and cases of the arcane with Dr. Ivenburge at Grunwich Bridge College and had purportedly resolved several mysterious cases throughout the countryside; cases involving things which no one in the city dared speak about.
   So it only made sense that he was called upon by officials of Olwick village. There had been grisly murders in the town, and no trace of killer or possible motive. Without delay, Inspector Daveign packed his important articles and boarded the train to Olwick.
   The village was far out in the countryside, beyond Typpenham, nestled among the Orring hills along the Olrin River. These hills were extremely lush and green, abundant in oak and elm and covered in vibrant, but overgrown patchwork fields. Run-down stone walls bordered the little patches of wild grass and brambles and there next to no sheep in those pastures.
   Grey gloom covered the sky and wandering wisps of mist wended their way through the dark tree trunks or clung to the occasional dilapidated remains of a house. At last, the villages’ gambrel roofs came into view, rising over the misty river and steeply arched bridge.
   The train station was barely standing, riddled by worm and dark rot. Inspector Daveign hefted his worn suitcase and stepped out into the cavernous street, the roofs were close overhead and the rough cobbles were choked with mud. He had a map, scrawled on the back of an old notice, directing him to the old gaol, where the village’s lone constable kept office.
   It soon seemed apparent that the map had been drawn wrong. Daveign was hopelessly lost in the eerie, quiet streets. How, he could not imagine. Yet here he was on an abandoned street with dark, shuttered windows all around. No gaol to be seen.
   At last he spotted a window that was aglow with flickering red light. Adjusting his tie, Daveign approached the rickety house and tapped on the pitted door. He waited in the shadowy silence and knocked again. At last he heard shuffling sounds from inside. The door creaked open and blazing eyes greeted him through a black veil.
   Daveign drew back at the ferocity of those icy irises.
   “Pardon,” said the Inspector. “I’m looking for the gaol.”
   “What do you want with the gaol?” asked the veiled woman. “Or with this town altogether?”
   “I’m Inspector Daveign,” he said, switching his suitcase, so he could extend his hand. The veiled woman looked at his hand.
   “You’re here because of the deaths,” she said quietly. “Please come in, I’ll make you some tea and then walk you to the gaol. These labyrinthine streets are hard to get used to and it’s cold and damp out.”
   “I suppose I’m in no hurry,” the Inspector said, slowly, unsure if the woman with blazing eyes made him more nervous or curious.
   “Do come in,” the veiled woman entreated, opening the door wider. “The train ride must have been long. A little refreshment will prepare you better to meet with the constable and the monstrous details of our village’s plague.”
   “Thank you, very much,” Inspector Daveign said, stepping onto the threshold. The woman stepped aside and closed the door.
   “This way,” she said, leading him down the hall into a little parlor. It gave the overall impression of perfection, but threadbare, dark, and a little dusty. Old furniture was arranged aesthetically around an ornate plaster fireplace. Embers glowed lazily in the hearth and not a glass knickknack or lamp was out of place. There was a door leading off the parlor, open a crack and spilling a flickering red light onto the carpet.

   “Please sit down,” said the veiled woman. “I’ll start the tea. Make yourself at home.” She turned and vanished into the dark house. Daveign set his suitcase down on the couch and stretched. It had indeed been a long train ride. He sighed.
   The air was dusty and tinged with an odd smell…scented wax, perhaps. He glanced at the little side door, with the flickering red glow. Curiosity flared inside him and he slipped cautiously to the door. Now he detected a distinct odor of spices. He peered through the crack.
   “That’s my husband’s study,” the woman’s voice announced from behind him. He jumped and whirled around.
   “I’m sorry, I shouldn’t have—” he sputtered.
   “No, it’s all right,” she said. Her veil was thrown back and he could see she was a woman of perhaps forty, with crow’s feet and beautiful lips. Her eyes were startlingly bright and alive. She held a tray in one hand and a kettle in the other. “My husband has been dead for three years.” She carried the tray to a small table and set the kettle over the coals.
   “I’m very sorry,” Inspector Daveign said.
   “Don’t be,” said the woman. “He was a good man. I remember him always, by his study. You may look, if you like.” She swept to the door before Daveign could defer. She flung it open and motioned for him to step in.
   “Captain Eric Ryver, of Her Majesty’s Cavalry,” she said. “Village benefactor and watchman after he returned from the War of ‘77. Died of a vicious fever.”
   Curiosity overcame Daveign and he stepped slowly into the room.
The widow had made a sort of shrine out of a side table, an assortment of picture frames depicted the Captain on horseback, receiving the Medal of Monezuela, and holding hands with a beaming Mrs. Ryver. The more recent pictures were daguerreotypes, but a painting depicted the young Mr. Ryver. His eyes were pale contemplative spheres of a sorrowful aspect, his brow wide and intelligent, his nose majestic, and his fine cheekbones were framed by dark wavy hair.
   Clustered around the picture frames were an assortment of scented candles, burning with oddly red flames. The desk had apparently been left untouched, covered in dust and a half written letter.
   “I am glad he did not live to see the horrors of today,” Mrs. Ryver said.
   “I’m sure he was a great man,” Daveign said. “I see he was awarded the Medal.”
   “Yes, it hangs there,” she replied, pointing to where the Medal hung in the shadows over the little shrine.
   “He looks very kind,” the Inspector added.
   “He was,” the widow sighed.
   “I’m sorry to remind you of more sadness in this dark time,” Daveign said, moving back towards the door. He hoped to remove his awkward presence from the old room, but the widow did not move.
   “It is not sadness to remember such a wonderful soul,” she said. “It is a comfort. And I never forget anyway. I remember always.” She looked at Daveign, her eyes brimming with life. She smiled and stepped out of the way. The Inspector exited the room and she shut the door behind him.
   “Would you tell me about the happenings in this village?” the Inspector asked. “It might help the case to hear it from another local besides the constable.”
   “Certainly,” Mrs. Ryver said. “I hope you can solve it with utmost haste. Please, sit.”
Daveign sat beside his suitcase and waited expectantly. The widow, sat opposite him in a great wingback chair and smoothed out the wrinkles in her black skirts.
   “The first incident occurred just across the street,” she said, looking the Inspector directly in the eye. “I heard a hideous shriek in the night, shrill enough to wake me in my upstairs room, though the window was closed. There was great commotion, and I met Mr. Murgusson outside his door. He was going to the constable. I went in to try and calm the hysterical Mrs. Murgusson. She implored me not to go upstairs, but I couldn’t calm her, so I went to look. Would to God I hadn’t. The eldest Murgusson daughter lay sprawled out on the tangled bedsheets, white as death.” Mrs. Ryver stopped, shuddering, and then continued. “It looked like an animal attack. Her throat…there was blood everywhere. The window was closed, locked, undisturbed. As were all the windows, Mrs. Murgusson assured me. And the doors had all been locked. How could an animal get in? And what animal would attempt an entry? Only madness or viciousness could have perpetrated the attack. There were no strangers in town. How could they have got in anyway? The Murgusson’s are neither mad nor vicious, I can vouch for that. Or were. They are mad with grief now, I fear.”
   She paused as the kettle began to whistle. She continued her tale as she poured the tea and passed a cup to the Inspector.
   “The second incident happened across town. Mrs. Colchester, in like manner was ravaged and left on her bedroom floor. Her husband remembered nothing. The constable put him in the gaol anyway, thinking he’d caught the perpetrator. But a few weeks later, while he was still securely locked away, another victim was found in the river.
   “Young Mary Ludwig, she’d been out with a youth that night. Henry swore he’d parted with her at the fence on the edge of town, as they live on opposite ends of town. Again, only madness or viciousness could have committed such an act; Henry is neither of those.”
   “There was a fourth?” enquired Daveign.
   “Yes,” said Mrs. Ryver. “Just last week. The cobbler’s apprentice from out of town. The only male victim.”
   “You think that’s significant?” Daveign asked.
   “I don’t know,” Mrs. Ryver replied. “Perhaps.”
   The Inspector finished his tea as he waited for Mrs. Ryver to put on her boots and re-drape her veil. She led him out into the darkening street.
   “Have you arranged lodgings?” Mrs. Ryver asked.
   “I was told Constable Murray would have something available,” Daveign said.
   “I hope the bumbling fellow has not neglected that detail,” she said. “I will put you up in my spare room if he has.”
   “Thank you, Mrs. Ryver,” Daveign said gratefully.
   They curled through the winding streets, passing a few people, none of whom hailed Mrs. Ryver. The villagers eyed Daveign with mild curiosity and even fear, but none attempted to greet him, either. They darted furtively past, glancing down the narrow alleys and fingering their rosaries and charms. Several pointed their index and little finger at him, to ward off the evil eye.
   “This is the Inspector from Bamberg,” the widow called after one of the gesturers. “He’s come to help us.”
   “No earthly power can help us,” replied the villager without looking back.
   Mrs. Ryver sighed. “They cling to their superstitions so tightly.” She laughed humorlessly.
   “Superstitions are not always something to laugh at,” Daveign said softly. Mrs. Ryver looked at him sharply through her veil. Then she nodded.
   “Perhaps so,” she said. “There it is.” She pointed down the street to a crumbling stone block of a building with dilapidated shutters and a flaking black door.
   “Thank you, Mrs. Ryver,” Inspector Daveign said. “You have been most hospitable.”
   “Civic duty, Inspector,” she replied, smiling and inclining her veiled head.
   The Inspector watched her turn and head back into the deepening shadows. He thought it a bit odd that she still wore her mourning garb three years after her husband’s death, especially the veil. He shrugged and turned towards the worn gaol.
   Inspector Daveign found the interior no more promising, and the Constable even less so. Constable Murray was a very slow individual. It would have been no surprise to Daveign had the murderer been completely natural and still uncaptured by this lumpy intellect.
   The Constable had fewer details to offer than the widow, but they all corroborated her tale. Daveign resolved to interview more of the village’s inhabitants, as well as the suspects.
   “Suspects?” enquired the Constable.
   “Yes, the husband of the second victim and the lover of the third,” Daveign said patiently.
   “Ah…yes,” said the Constable. “They’re not guilty.”
   Daveign was taken aback by the answer, because it implied more wits behind the Constable’s tiny forehead than had previously seemed apparent. It wasn’t blind faith in his fellow villagers that prompted the reply, but a fear of something else.
   “Where are they now?” Daveign asked.
   “Here,” replied the Constable. “I knew you’d want them brought in. So I kept ‘em here. There weren’t no other possible suspects. Tangible ones. But they’re as innocent as you or me.”
   “None of us is innocent,” Daveign replied. “May I speak to them now? Then you can release them.”
   “Release them?”
   “Yes, don’t you want to?”
   “Well, yes, but I thought…”
   “You thought I’d barge in here with my city license and condemn an innocent man for lack of a palpable murderer.” Daveign said. “Bring them in one at a time: I’ll speak to Mr. Colchester first.”
The Constable was flabbergasted. He stuttered for a bit, then marched out to the cells, leading back a tall man with translucent orange hair and haunted eyes.
   “Hello,” said Daveign. “I’m Inspector Daveign. I know this is going to be difficult, but I want you to tell me about the night your wife died. I want you to leave nothing out.”
   “I didn’t kill her,” Mr. Colchester said. “I loved her more than my own life.”
   “Just tell me what happened. I want every detail, no matter how painful it is to relive.”
Mr. Colchester sighed and closed his eyes. “Must I?”
   “If your story satisfies me, I’ll let you go,” Daveign said. Mr. Colchester opened his eyes.
   “What’s the use in that? There’s nothing out there for me, now that she’s…she’s…” Mr. Colchester trailed off and tears bloomed along his colorless lashes.
   “What of vengeance?” asked Daveign. “You could help me catch the killer.”
   “The killer cannot be killed,” snarled Mr. Colchester. “You city people with all your learning and science will never understand: some things are not of this world.”
   “And some of us have come to understand that, through our learning,” said Daveign. “Even things not of this world must have connections to this world. Now tell me, what happened that night?”
   “I was asleep,” said Mr. Colchester. “I started to dream. Horrifying, nameless things. There was something sitting on me, crushing me. Something dark and wicked and laughing. I tried to struggle, but I just sank deeper into horror, pushed down by the laughing thing. Hideous it was. And there was a smell: the smell of death, of open graves and rotting corpses. I tried to scream and at last the sound forced its way out and I jolted awake.
   “But it was too late. Gertrude wasn’t beside me. I scrambled to light the lamp and then I saw her on the floor. Twisted into a funny shape, a look of horror mixed with bliss scrawled across her white cheeks. Her throat…it was all mangled, the skin all ripped apart…and peeling…there was blood all over the floor. I tend sheep. Sometimes a wolf will come around these parts, and it’ll get a few sheep. My wife looked like one of those sheep. No human could have done that, and I least of all.”
   “And the date?” the Inspector asked.
   “It were the third. Of September.”
   “Thank you,” the Inspector said. “You may go home.”
   “Did you hear me?” Mr. Colchester asked. “I said it wasn’t a human that did it! I’m crazy, you’ve got to hang me for…for killing my own wife.”
   “I agree,” said Daveign. “It was certainly no longer human. Constable, please take Mr. Colchester home. I’ll talk to Henry while you’re gone.”
   Inspector Daveign found the three cells, all now empty, save one. A tow-headed youth sat hunched in the far corner, hugging his knees.

   “Henry?” asked the Inspector.
   “Where’s Mr. Colchester?” Henry asked, still without looking up. “He didn’t do it!”
   “He’s going home.”
   “So you’re going to hang me then?” Henry asked, almost hopefully. “I’m to take the fall for the monster?” The Inspector said nothing. Suddenly Henry jerked his head up. His eyes were swimming with tears. “I want to die,” he said, blinking furiously. “But it won’t do any good. And you can’t kill it.”
   “Why not?”
   “It’s already dead.”
   “I know.”
   “You do?”
   “Yes, unless you and Mr. Colchester and the Constable and Mrs. Ryver are in collusion to perpetrate some scheme with unimaginable purpose.”
   “Mrs. Ryver?” asked the youth. “Who would scheme with her? No one talks to her if they can help it.”
   “Really?”
   “Yes, she’s peculiar. Always wears that veil.”
   “So her grief turns people away?” asked the Inspector. “She seemed cheery enough to me.”
   “I guess,” Henry said. “I dunno. She’s got some weird air about her. People say she’s got the evil eye; that she’s bound to the devil. Stuff like that. But you wouldn’t believe that any more than the truth about the killer. The killer that butchered Mary…” Henry swallowed a few times, choking back sudden sobs that sent a tear tracking through the grime on his face.
   “Tell me about her death,” the Inspector said gently. “Then you can go home. Leave nothing out. Start with the date.”
   Henry sniffled than began slowly. “It was the thirteenth of September, I think. We met out by the old hay barn, like we did almost every night since I told her I loved her. We had to sneak out, see, her parents didn’t like it. I don’t think mine would’ve either, but I never let ‘em catch on. Anyway, we met like usual and when we went home, I kissed her by the fence on the edge of town and told her…I said…I told her we’d never be parted, not by our folks, not fortune, fate or God. I never shoulda said that! It’s my fault she died. I tempted fate, tempted God! You may as well hang me. I just as good as killed her with those words as if I’d a used my own hands!”
   “What happened then?” the Inspector interrupted.
   “I went home, and I dreamed…terrible dreams. I dreamed at first I was with Mary in the field behind the barn. Then…she turned into a…a…a thing. A dark thing…I don’t know, a demon? Smelled like rotting things and death and it was crushing me, squeezing the air out of my lungs. My eyeballs felt like they’d pop out. And the…thing, it laughed. It laughed and called my name mockingly. I tried to scream. But I couldn’t, I kept sinking into…something. A wriggling, squirming, laughing darkness. And the thing kept laughing too.
   “At last I managed to scream and I woke up. I didn’t sleep any more that night. Later that morning I heard them yelling that another victim had been found. I didn’t know who it was. I just followed the crowd. Then I saw who they’d dragged out of the water, all pale and purple lipped. God, those lips used to be so soft! And her throat…it was all ripped up, splayed open and pale, bloodless, waterlogged. I see her every night now. Every night, and I know it’s my fault!”
   “It’s not your fault,” the Inspector said. “You said yourself, the thing that killed her is already dead.”
   Henry sprang at the bars and yelled in Daveign’s face, “And that means I’m crazy. Just kill me, I deserve it!”
   Daveign reached through the bars and grabbed the boy’s wrist. “Calm down,” he commanded. “It’s not your fault. The demon that did this is responsible. Your youthful promises were naïve, but they did not kill Mary. Something else did that. And I’m going to find it and destroy it.”
   At last the boy sank to the straw covered floor.
   When the Constable returned, Daveign asked the Constable to take Henry home in the morning and tell his mother to keep an eye on him, as he might try to do himself harm. Before the Constable led Daveign out, the Inspector elicited reluctant promises from Henry not to hurt himself.
   The Constable lit an old lamp and led the Inspector out into the murky black streets. Daveign glanced about at the gloomy gables and decaying walls, dripping with moisture from the mist. They came to a worn and yellowed inn and the Inspector was shown to a tiny, but comfortable room. There was one other guest, he was told, across the hall: a collector who had come out to examine some rare stone brooches that the insolvent Winston family was trying to sell.
   In spite of his fatigue, Inspector Daveign interviewed the innkeeper before he went to bed. The innkeeper’s version of events did not dispute with any of the details the others had told him. He too, had dreamed strangely, though much less vividly on the night of the apprentice’s death.
   “Their shop’s just across the road,” he said. “Good shoes, too; it’s a shame.”
   Daveign thanked him and retired. It was past midnight and so after going over his notes, the Inspector placed his necklace on the bedpost by the pillow and blew out his candle. His sleep was disturbed by vague and horrifying dreams.
   The darkness heaved and convalesced, then dissolved. It was breathing and alive, churning around him like a viscous glob of terror. A heavy, vile breath of rot assailed him and caressed him in shivers. Something pressed on his chest, a weight of darkness, exhaling vapors from the tomb. And a hideous, vibrating chuckle emanated from the thing on his chest as it pressed him down…ever down into the living night.
   An inhuman scream jolted him from sleep. He blinked and clutched his blankets in white hands as the shrill sounds scraped his tingling ears. The screams came from the room across the hall. The collector. Inspector Daveign staggered from his bed, scrambled into his dressing gown, grabbed his necklace from the bedpost and snatched a few of his special implements from his suitcase.
   By the time he’d fumbled his door open, the shrieks had stopped. Steps rang on the stairway: the innkeeper had been aroused by the sounds. Daveign tried the door across from his, but it was locked. He slammed his shoulder against it, but it held. It would be too late! He slammed it again. He hammered on the door and yelled for the collector to answer. Nothing.
   The innkeeper lumbered up. “Do you have the key?” demanded Daveign.
   “No,” panted the innkeeper.
   “Go get it!”
   The innkeeper turned around and clumped back to the stairs. Daveign pounded helplessly on the door and then listened at the crack. All was silent. At last the innkeeper returned with the keys and they opened the room. They were much too late. All was as the widow had described. Untouched window, mangled corpse, bloodstained floor.
   The next morning, the Inspector stood in the main room of the inn with the small group of villagers surrounding the corpse, carefully sheeted on a table.
   “Here’s his personal effects,” said the innkeeper, handing a suitcase to the Inspector. “You should find his address and whatnot, for the family and such.”
   “Yes, thank you,” said the Inspector. “Constable, would you see to the official things? I’ll sign any papers later.”
   “What are you going to do?” asked Constable Murray.
   “I’m going to find the killer,” said the Inspector.
   The Constable said nothing, but all of the villagers’ eyes held despair and pity.
   “Were there any deaths directly prior to the first victim?” the Inspector enquired of the haunted assembly. “Deaths from sickness, violence, suicides?”
   He was met with thoughtful stares.
   “There was old McGuffrey,” said the doctor. “He died of natural causes a week before the poor Murgusson girl.”
   “And Dalia Nyllis,” added the cobbler. “She drowned the month before.” The Inspector raised an eyebrow.
   “Are they both buried in the local graveyard?” asked the Inspector. Nods. “And you’re sure there were no other recent deaths?” More nods. “Very well. Thank you gentlemen. Let me know if you need me, or think of anything else of importance. Two of you come with me, bring spades, we’re going to the cemetery.” He hefted his bag and marched out the door.
   The graveyard was on the edge of the village, just beyond the last sagging house, choked with shrubbery and watched over by the tilting church with its grey steeple. The green fields sloped away from the vine-tangled cemetery fence and ambled away to the thick trees and foggy hills beyond. The air was damp and slightly sour.
   The headstones were worn and moss covered. He found the recent ones quickly. Only wooden crosses marked the four graves of the killer’s victims. Their dirt was freshly turned. And the grave of Dalia Nyllis had a fresh little headstone, clumsily carved with her name. It had grass freshly sprouting across its little mound. And the grave of McGuffrey was not far away, surrounded by weeds.
   He settled on Dalia being the most likely suspect. “Dig her up,” he ordered the cobbler and innkeeper, who had followed him there reluctantly. They both drew back, their faces contorted with repulsion. “You know what blight has come to your village, do you not?” the Inspector insisted. The two men met his eye with trepidation. “Dig her up, that we may ascertain whether her death is final or not.”
   Silently, the two men set to work. The Inspector set to making sure his tools were in readiness for the task ahead. At last they heaved the coffin out of the earth and broke it open.
   Dalia had begun the degradation of the grave. She was not unnaturally fresh. She was not bloated or coated in fresh blood from the meal the night before. She was not the Olwick Slasher. Inspector Daveign placed certain articles into her coffin with her before closing her up, just to be sure. “Put her back in.”
   They refilled her grave and dug up the old man. After he had been replaced in his final rest the Inspector surveyed the graveyard. He wiped his forehead with his kerchief and turned to the cobbler.
   “Are you sure there was no one else who died before this all started?”
   “Not recent…” said the cobbler.
   “There was Sarah James,” said the innkeeper. “Remember? She was old, fell down the stairs, year before.”
   “And Barry!” said the cobbler. “More a year before. Crushed by a tree.”
   So they dug them both up. And still nothing. The two villagers shook their heads sadly and wandered off, dragging their shovels behind them. The Inspector sat on a mound and thought. There must have been another, a recent one somehow forgotten or not spoken of, buried perhaps in some secret place. Had there been a visitor to the village that had met a violent end unbeknownst to most of the town? He would have to make inquiries.
   Daveign stood and collected his things back into his case and set off. He would speak to the families of the victims first.
   After interviewing the parents of Mary and chasing down the cobbler for some questions, he arrived at the curtained home of the Murgussons. The first to be struck, they were still in shock, it seemed.        They could add little to Mrs. Ryver’s story, other than touching odes to their eldest daughter. They could also tell him nothing of visitors to the village. They were sure that they would have remembered any, as the village received so few. They knew nothing of any hushed up deaths. No suicides, no disappearances. All they knew for certain was grief, harsh and enveloping.
   Inspector Daveign could not find words of any use, and so he left them at last, in their cocoon of sorrow and stepped out into the darkening street. He glanced over at Mrs. Ryver’s house, thinking perhaps she might have more information, but the windows were all dark; there was no red glow from her husband’s study.
   He turned back towards the graveyard, thinking to search the whole cemetery for disturbed graves.     Perhaps it was entirely possible that the monster was not a recent death, but an older one awakened by some sinister force. He borrowed a lantern at the inn and continued on into the solidifying dusk.       There were few people out by now and mist curled around the edges of the buildings. There were almost no streetlamps, just a random spluttering oil flame here and there, hanging from a corner.
   As the Inspector passed one of these guttering, putrid lights, he drew up short, staring down a dark alley. For a moment he’d thought he’d seen someone, standing at the edge of the light. His heart tapped out a quick march and his breaths clouded on the chilly air.
   The face he’d seen but for a moment had borne a look of sorrowful intelligence, it’s pale eyes boring into him as if they recognized him. The Inspector had certainly recognized it’s majestic nose and fine cheekbones framed by dark wavy locks.
   Inspector Daveign shivered and set down his case. He fingered his necklace and stepped towards the alley, raising his lantern high. Blackness gave way to blackness and silence was supreme. The Inspector held out the pendant on his necklace and stepped into the quiet dark.
   The shuddering lantern revealed only emptiness.
   Had he seen what he’d thought?

   Perhaps a creature could be drawn from the grave by a loving relative unwilling to let them go…he returned to his case and continued towards the graveyard at a clipped pace. Perhaps the widow had unknowingly raised her husband with her obsessive remembrances, mourning and candles.
   He searched the graveyard frantically in the dark, looking for Captain Ryver’s resting place. At last he found it, a modest little grave tucked away in the corner, nearly hidden by a flowerless rose bush.     The earth was old, but certainly not three years. It had been disturbed since then.
   He could dig it up now, to be sure, but if the Captain was the creature, then he would not be here. Daveign turned and made for the village. It might already be too late. But there was no way to tell where it might strike next.
   He ran to the widow’s house, shadows leaping and chasing him all the way. The fog was thick as a shroud now and where the rare streetlamps burned, all was soft, white, and murky. No sound echoed through the empty streets, even the Inspector’s footfalls seemed strangely mute on the muddy stones.
Daveign was afraid he would become hopelessly lost, but before long, he came to where he thought the widow’s street was, and saw a faint red flicker. A breeze stirred the thickening fog and Daveign caught a whiff of cloying rot. He hurried to the widow’s door and banged upon it furiously. The fog rolled past the dim glow of his lantern, curling and whispering…his lamp flickered, sputtered, and died. Darkness swarmed around him, the ruddy glow of the widow’s window all but choked off by the mist that seemed to caress Daveign’s cheeks, chuckling sinisterly.
   He held his breath, trembling.
   The door creaked open.
   “Who is it?” asked Mrs. Ryver. “Is that you, Inspector?”
   “Yes. I know it’s late, but may I come in?”
   Mrs. Ryver let him in and led him to the parlor. There was a fire roaring in the grate but the lamps were all dark. The door to Captain Ryver’s study was open, the candles and incense blazing bright and red. Inspector Daveign closed the parlor’s door and locked it, hanging his necklace on the knob.
   “Mrs. Ryver,” he said, moving to the window and taking another crucifix out of his case. “No attacks have yet occurred two nights in a row, correct?”
   “Correct,” agreed the widow.
   “I think I saw the monster,” the Inspector said, hanging the second crucifix over the window.              “Tonight, on the street. I think I know who it is.”
   “Who?” asked the widow. Her veil still hung over her face and he couldn’t see her face. Just the twinkle of her eyes through the black lace. He strode into the Captain’s study and picked up the small framed painting of the young Ryver. The spicy, mysterious odor of incense wafted around him. Those were definitely the same eyes. He glanced over the little shrine, noting the incense burner tucked away behind the picture frames. He set down the picture frame and exited the study, closing the door behind him.
   “That’s incense you’re burning in there,” he said.
   “Yes, Eric loved the smell of incense.”
   “Did you think what such practices might perpetrate?” the Inspector asked, pulling another crucifix from his bag and looping it around the doorknob. “There, we should be safe in here until morning.”
   “Inspector,” said the veiled widow. “Who is the monster?”
   “You mean who was the monster, before death? I’m afraid you won’t like the answer. How long have you held your little services in his study?”
   “I beg your pardon?” said Mrs. Ryver, her voice rising. “I only keep his memory alive, you cannot know how much I miss him, or what little comfort I derive even from my collection of pictures, medals, and favorite scents!”
   “Indeed, Mrs. Ryver,” interrupted Daveign. “Indeed. But I fear you may be keeping his memory alive to a much greater degree than you had thought. I fear you need to let him go, now.”
Mrs. Ryver trembled, her veil rippling about her black clad form. She clutched at her chest. “You do not imply,” she said, “that I have caused the deaths of my friends and neighbors merely by mourning my dear husband. Three years is not too long to weep! It is not long enough! No tears can heal his passing.”
   “And he has come back!” said the Inspector. “I will need your permission to do the necessary cleansing of his body. I will need your blessing, your release.”
   The widow’s veiled head sagged. She nodded imperceptibly.
   “Now, do you wear a crucifix?” asked the Inspector.
    A sudden noise at the window made him turn. He approached the window cautiously.
   “No, but I leave Eric’s in his desk drawer,” replied Mrs. Ryver.
   “Please put it on,” Daveign said, peering out the dark glass. The widow took the crucifix away from the study door.
   “I will never wear such a thing,” said Mrs. Ryver bitterly, seizing Inspector Daveign’s case from the floor. “I will never allow such things to come between us!” She made for the roaring fire. Daveign leapt after her, knocking over a lamp in his haste, but it was too late, she’d heaved them into the fire.      The lamp shattered on the floor. Mrs. Ryver laughed, a mad, dark laugh and ran for the door. Daveign caught her veil, but it ripped from her bonnet and fell like a shadow to the floor.
   “My friends!” guffawed the widow, her eyes alight with glee. “My neighbors! Why shouldn’t they suffer and die?” she ripped the crucifix from the parlor door and ran to the window. Daveign charged across the room. “They ostracize me and call me a witch,” Mrs. Ryver chortled, snatching the last cross from the window. “Maybe they’re right. But it’s a damned unfortunate thing to be right about.”
   “Mrs. Ryver,” said the Inspector, stalking towards her and the window. “Give me those.”
   “What?” asked the widow. “These little things? These trinkets of holiness?” She opened the window. “I won’t let anything come between me and Eric.” She threw the crucifixes out into the street.
   Daveign stopped in the center of the room.
   “It’s not Eric,” he said. “It’s not Eric anymore. It’s a demon and it will destroy you.”
   “Maybe I want destruction, Inspector,” said Mrs. Ryver, her eyes blazing with madness. “Maybe I want to flame with glorious love, with life, with fire, one last time. Whatever the cost: I want Eric!”
   The study door opened.
   Daveign froze. Mrs. Ryver’s shining eyes, dancing with the reflected flames in the hearth, were fixed upon the figure in the study doorway. Her lips formed silent praises.
   Daveign turned slowly to face the terror.
   The creature’s eyes shone with hellish imitation of the deceased. Its hands were curled at its sides, obfuscating its terrible demon claws. It’s red lips curled into a sneering smile, revealing the vicious teeth that now sprouted from the regenerate jaw of the late Captain Ryver.
   “Destroy him, my love,” Mrs. Ryver squeaked, and the monster stepped towards Inspector Daveign. Dirt from the grave crumbled from his trouser-leg and speckled the carpet. Daveign backed towards the door as the creature advanced.
   “Mrs. Ryver,” he rasped, “please, get the crosses, save yourself!”
   The creature lunged.
   Daveign slammed into the door, scrambling for the knob. It was locked. By the time he’d twisted the key, the creature was there, it’s claws enfolding him, throwing him to the floor. The Persian carpet met his face and he caught a whiff of dust and old pastry crumbs. The creature rolled him over and pinned him down as he struggled, kicking, punching, screaming.
   But it was no good. The thing was astride his chest, pressing down, choking off his breath. The fire seemed to dim, darkness flooded around him, breathing, sentient, malicious. He tried to scream. He tried to fight. His limbs fell limp and his lungs were bursting. The thing on his chest crushed him, pushing him down, down into the pastry crumbs and the burbling darkness and the sinister laughter.  
   Only now he realized it wasn’t the thing on his chest that laughed.
   It was the widow.

Saturday, December 10, 2016

A New Mythology--Oramon--The Lost Shadow

   Where Nomra’s tears fell upon the earth, there rose the Seroi, the spirits of grief. They were quiet and settled heavily upon the shoulders of the mourners. At last, the mourners drifted away as night fell, each leaving a tear. The tears glistened around the bier of Onera, sparkling in the night. Only Neron would not leave the funeral, he could not bear to leave Onera there in the dark. The Seroi clustered around him and at last he fell asleep beside the body of his daughter.
   Ariaj carried Nomra to Onerae and they alighted silently near the bier. Nomra came and rested her hand upon the forehead of her daughter.
   “I am sorry,” she said. There was no light save the tears in the night. “Rise.”
   Onera opened her eyes.
   Nomra looked into the eyes of her daughter. There was no light within them. Neron woke as the sun rose and saw his daughter standing before him. She had no shadow and her eyes were lifeless.
   “What is this?” Neron asked. “What have you done?”
   “I have tried!” Nomra replied. “And I have failed. There is more to a being than the body and I do not know whence that part has departed. But I swear I will find it, Neron.”
   “You cannot make me love you again,” Neron said.
   “So be it,” said Nomra. “But I will undo what I have done.”
   Ariaj transformed into a giant raven and carried Nomra away. Neron fled from Onerae and the soulless body of Onera and hid himself in a secret ash grove. The body of Onera stayed on the island and no creature dared go near it.
   “We will search the air for her missing spirit,” Nomra said to Ariaj. She sent Triona to search the seas. She sent Phiron to enquire of the Lights in the heavens. They could find nothing.
At last Nomra asked Nemrus, “Have you seen the spirit of your sister?”
   “I watch all the earth and the animals thereof,” said Nemrus. “Onera’s shade passed by me in the night, in the dark it slipped past, she is gone now.”
   “Whence did she depart?” Nomra begged.
   “To a place where Light can never shine,” Nemrus said. “Her shadow has gone down into the earth. She is within Oramon. Beneath the soil and stone in the heart of Darkness. From Darkness she was formed and to Darkness she has returned.”
   “But her body lives!” said Nomra. “I will find her shadow and reunite it with her body. Where did she enter the earth?”
   “I will show you, but you will have to go into the Dark alone, I will not accompany you.”
Nemrus took her to a cleft in the stone far to the north where the mountains glistened always with ice. The cleft was Dark and into the Dark, Nomra stepped. It was a familiar embrace, the embrace of untold time and unknown place. She had slept in the Dark before Time, before Place, before Light.
   “This is a place of shadow,” said Nomra. “How will I find a shadow amongst shadow?”
   “With Fire,” said Phiron. He had followed her and Nemrus to the cleft and come after Nomra into the Dark. His radiance bloomed bright in the shapelessness and Nomra used his luminance to form them a glittering path into the belly of the world.
   Down they went, and on, but no sign of Onera’s shade could they spy.
   “Onera!” Nomra called. “Forgive me for my jealousy. I have wronged you and your father. Come to me that I may make it right.”
   “Mother,” came a voice from the Dark. “I forgive you, but I cannot come back with you.”
   “Why not?” Nomra asked.
   “Because this is the place where future people will come when they die and it is terrible.”
   “Then come with me, leave this place, leave the Dark!”
   “I must stay and make it a pleasant place. A new place of wonder, like the world above, the one that you made.”
   “Come back to the surface,” Nomra begged. “No one need ever die and come to this place. Come back, your father is heartbroken.”
   “Neron…” Onera said. “And Nemrus, Triona, Ariaj and Phiron.”
   “I am here,” Phiron said.
Onera’s shade emerged from the Dark, into Phiron’s light. Tears were on her face. “I’ve missed you so much,” said Onera, trying to embrace Nomra and Phiron, but she could not touch them, for she was only a shade.
   “Let us return to the Light,” Nomra said. “Your body is there.”
   Nemrus was waiting at the mouth of Darkness.
   “Something is wrong,” Nemrus said. “The deer tell me of distress in the forests afar. We must haste to Onerae. But when they came to Onerae, the body of Onera was gone and all of the animals upon the island were dead.
   “The body without spirit does terrible things,” Nomra said. “For so I was when I slew Onera.”
The sea monster had carried Onera’s body to the mainland and now she laid waste a path of death into the forests. Nemrus, Nomra and Onera’s shade followed the trail of lifeless animals and found the body at the base of an ash tree, where it was about to drink the life from Neron.

   “I am empty and seek to fill myself but nothing satisfies,” said the body.
   “We have brought your soul back to you,” Nomra said. “Do not take Neron’s!”
   “I cannot go back in,” Onera cried, “my body has been defiled.”
   “You must,” Nomra said. “Or Neron will be destroyed.”
   So Onera clave unto her body again and let Neron go.
Onera took on a sadness that had not been before. Neron did his best to bring light back to her eyes, and created more beings and creatures for her.

   Nomra no longer favored Amalteron. She spent much of her time in the cleft, upon the crystal path she had made to find Onera, exploring the dark places within Oramon, forming silver caves and rooms of glowing stone. Here she could be alone in a cold place, in the Dark, away from the world and her loved ones. 
   She saw them occasionally when they met upon Amalteron and they would tell her of the new things they had made. But Nomra was silent about her own creations and the things she found sleeping in the Dark. Neron and Onera had forgiven her, but she had not forgiven herself.

Saturday, October 22, 2016

A Regency Tailor's Tale

   Okay, so I cannot lay claim to the title ‘tailor’ and you will soon see why.
   This is the story of how I made my Regency outfit for my zombie costume for my book release party. This is not a how-to. More of a how-not-to.
   I was driven to sewing by desperation.
   Ever since I was little, I liked capes and cloaks and things.
   I wanted costumes, but my Mom wasn’t much of a seamstress, not to say she couldn’t, just wouldn’t. My next stop was the thrift stores around Halloween time. Although we have lovely thrift stores in our area, their costume selections always left much to be desired (and I think they’ve gotten worse since I stopped looking). I had to start making them myself.
   I still used the thrift stores for my fabric purchasing. I didn’t use patterns and I sewed by hand. This was arduous.
   Eventually, I got a hold of a sewing machine (my Grandma brought hers up for my sister. My sister had no interest in sewing and so I took the thing over). My first attempts were shaky. I still didn’t use patterns. Totally cooked it up from my head and while chopping up fabric. When I attempted my first pair of trousers, I finally cut up an old pair of pants and used that for a pattern.
   Then I began making coats. I took an old suit coat and chopped it up for a pattern. The first was a simple copy. 
The first pair of trousers, originally for a Sweeney Todd costume, paired with the first coat for a Mad Hatter. My brother made the hat.

   The second diverged greatly, becoming somewhat reminiscent of  a Regency era coat for last year’s Halloween, inspired by Tanz der Vampire, the German musical with the incredible costumes. Needless to say, I totally winged it with the collar and it’s barely satisfactory. Also, the thrift store is no longer my fabric store. I found gorgeous fabric at a local shop called the Alley Fabric Nook. The drawback to this, is the astronomical prices of fabric. Slide your card and whack bang you spent fifty dollars on cloth!
Tanz Der Vampire costume. I made the waistcoat, coat, cape, and trousers. And ascot, if you can really say that a half sewed together strip of silk is an  ascot.

   Now I’m working on coat number three.
   I started with the waistcoat. This outfit was inspired by Lord Chornby’s unholy getup in Ambulatory Cadavers, and was going to include a paisley waistcoat. I went fabric shopping, this time on amazon, and found some birds I couldn’t pass up. So I made the waistcoat first. And the shirt. This time I decided to actually sew the shirt, too. The shirt turned out rather wild and untamed, but it will be mostly hidden, so I think it will do.
This photo was before I added the ruffles on the shirt cuffs

   I still don’t know how one is supposed to do the tall collars on this style of waistcoat, so this one has issues. I suppose it needs to be sewn in between the outer layer and the lining or something crazy like that, I just sew it straight on and frown when it doesn’t lay how I want. I think this one turned out a little crooked as well, and it’s too tall, so unless the coat collar can keep it in check I’ll have to shorten it or fold it and call it good.
   I almost got a little too ambitious with the coat. I pulled out my copy of The Mode in Costume by R. Turner Wilcox and flipped to the section ‘The French Restoration’ encompassing Louis XVIII, 1815-1824 and Charles X, 1824-1830. I examined the claw and hammer coat tails on those glorious frock coats and couldn’t refrain. 
Frock coat from 'The Mode in Costume'

   Instead of copying the two back panels of my cut up suit coat pattern, I made the back of the coat in four pieces. I didn’t quite succeed in the layering of the claw and hammer, but I got a deluxe-looking back.
Advanced sewing, no? For me, yes. Took some dexterous manipulation.


   It took me three tries to get the collar right. Those Regency era coat collars are so weird looking (in a good way!). How do you make those? I still don’t know. This is just as close as I got.

The pictures make it look better than reality!


Wednesday, February 3, 2016

'Taste the Blood of Dracula' review

Taste the Blood of Dracula
Hammer, UK, 1970, Rated R
Starring Christopher Lee, Geoffrey Keen, Gwen Watford
Directed by Peter Sasdy




   This movie is awful and good. The biggest complaint is, of course, the lack of Dracula. He has very little screen time, and I adore Christopher Lee. On the other hand, his lines were terrible, so maybe it all balanced out: hoping for more Dracula and then hoping for less when it came.
   The worst part of the film is the stupid brothel scene near the beginning. There was absolutely no reason to show bare breasts (it is very brief) and the snake dance---egad! Having a python on your shoulders does not make you a good dancer.
   Also, I found the character motivation lacking at times. Why did Dracula care that those guys killed his servant when it obviously brought him back to life? Why did Alice's father hate Paul (why was there inevitably a character named Paul in all of the Hammer movies?).
   All of that said, this movie looks delicious. Even the blood, it was like oozing pie filling or strawberry jam. Made me want to taste the blood of Dracula.
   The sets were gorgeous and the lighting was good. I loved the garden at Alice's house, where she climbed down the tree to meet Paul beside the fountain in the moonlight. The abandoned church was lovely (the Satanic altar cloth, not so much) and the one house had an abundance of Indian swords and daggers on the wall. The costumes looked good, too...always a bit questionable about whether or not they stayed strictly true to the time period.
   I can never judge acting in these old movies because it's clearly a different standard. I thought Alice was good, mainly because she was so sweet and then turned into a creepy psycho under Dracula's power. She was really cute, too. I liked her story line with Paul and would have liked to see more of them and less of...whatever else was going on.
   What was going on? It was actually pretty good (though lacking much logic), the deaths were good (meaning delightfully awful), but I couldn't understand why Lucy turned straight into a vampire and Alice didn't. I also didn't get Alice's death. Or Dracula's, for that matter. Although I liked the part where he threw organ pipes at them while they yelled around and didn't run.
   All in all, I really enjoyed this film for some reason, even though Christopher Lee's performance was a bit lacking. It was a romp, delightfully weird, creepy, awful, fairly stupid, but fun and good looking!
   My favorite Hammer Dracula will continue to be 'Dracula Has Risen From The Grave,' which I think is actually pretty good, all reduced-old-movie-standards aside.



Thursday, December 11, 2014

The Old Grey House

There stood once an old grey house upon a lonely hill in the moors. The house was quiet. No servants bustled downstairs, no one dusted the corners and ancient vases. No one tended the garden, it overflowed with thorns and shriveled white roses. Poison ivy filled the vegetable beds.
When night fell, no light burned in any window. Sometimes the moon gleamed on a window pane but otherwise the house was a silhouette of blackness. A scream split the night.
Sun rose upon the misted moor, grey-white fog wrapped the hills and naked trees. Grey grey grey. A white face peered out of a high window. The face belonged to a girl.
As usual, the moors were empty, the unused road nearly invisible.
The pale girl cried silent tears. The sun floated over the mists but failed to burn them off. Silence. No birds sang, no brook burbled, no wind rattled the bare tree limbs. Nothing. Red eyes longed for the horizon. Silence. Silence. Silence.
Then a bell.
The white face withdrew from the window, then peered cautiously out, searching for the source of the sweet tinkling music.
It was a young shepherd with his bell choir of sheep. He was new in these parts and sought a quiet pasture, away from the overgrazed fields around the village. He had heard only vague rumors of the old grey house, whispers, and incomplete tales. Obliviously, he led his sheep into the moors. The old grey house crept into view, rising like a broken headstone on the hill. He paused to gaze upon it.
Dead vines curled up the cracked stones, the casements were faded, the roof sagged, and the walls seemed to bulge out. Leading his sheep closer, he scanned the windows, curious if anyone lived in this ruin. He saw the white face vanish and reappear. He led his sheep closer still.
The white face peeked around a black curtain. He waved. The face disappeared. Closer still, he led his sheep, to the very edge of the garden, ringed with a low stone wall.
The shepherd eyed the windows, most with heavy moth-eaten black drapes pulled across them, the rest, shuttered. He peered at the elaborately carved door. It was rotten and splitting. An old green knocker hung listlessly, its fearsome countenance saddened with tears of corrosion.
He stepped over a low spot in the wall, about to head for the door. A movement above caught his eye. It was the pale face.
Now that he was closer, he could see that it belonged to a colorless but very beautiful girl. Her blond-nearly grey-hair tangled about her head like a halo, the stray hairs lit up like fire in the sunlight that pierced her dark window. Her lips were white and cracked, her eyes were grey and filled with an elixir of sadness, terror, and despair. But there gleamed within a small drop of hope.
The shepherd smiled at her and saluted. “Hello!” he called, his voice startling in the quietness.
The girl glanced around nervously.
“What is this house?” he asked. “Who are you?”
The girl put an urgent finger to her lips. The shepherd crossed the bramble covered garden slowly, picking his way over vicious thorns, an abandoned scythe, old wooden stakes and a rotten cart. At last he stood below the window and called up quietly, “What’s the matter?”
The girl shook her head and pointed at the road then made a motion like she was pushing something away.
“What?”
She pointed at him, then at the horizon.
“Who are you?” he asked.
“Go,” she said in a broken whisper.
“I’m sorry I trespassed, I didn’t know anyone lived here.”
“To live,” whispered the girl, “or to die, how sweet that would be. Alas, no one lives here.”
“Pardon?”
“Go!” she insisted. But he didn’t move.
“So you don’t live here?” he asked.
“I said no one lives here, to live is to be alive and I am not.”
“Are you a ghost?” he asked
“No. I am not alive, but I wish I could die.”
“What are you doing here?” the shepherd asked, looking up into her sad colorless eyes.
“I am trapped.”
“Then why don’t you jump out of that window and I’ll catch you?”
“You don’t want to help me.”
“But I do.”
The girl seemed about to reply when she suddenly whipped her head around as if she’d heard something inside the house. She glanced back at the shepherd and he saw terror in her eyes and a blood red tear tracing down her cheek. Then she pulled her curtains closed.
The door creaked open and he jumped.
A grey woman stood in the doorway. Her hair and skin were grey and she was dressed in a grey gown and bonnet.
“Take your prying eyes somewhere else,” the woman said, her words coming out tonelessly, like dead things.
“I’m sorry, but I—”
“Go away,” the woman said. “Leave us alone.” She slammed the rotten door closed.
The shepherd stumbled back, glancing up at the high window. He stepped on something that crunched. Looking down he saw that it was a sheep’s skull. He retreated from the garden and stood with his sheep on the grey hillside, looking up at the stark old house with its curtained windows.
Silence.
At last he turned and led his sheep away over the lonely moors. The girl watched him go through a slit in her curtains.  She saw him glance back. Once. Twice. Thrice. And he was gone and she was all alone.
When the shepherd returned to the village that night he asked at the tavern if anyone knew anything about the old grey house and the beautiful colorless girl. The patrons eyed him fearfully, most of them gathering their things and leaving. But an old grey man beckoned him over. The shepherd sank into the dusty old cushion and the cloud of spiced tobacco smoke.
“Lad,” the old man said, “what do you want with the old Hopenheim House?”
“I want to know what it is and who lives there.”
“Why?” the old man asked, peering at him quizzically.
The shepherd hesitated. “Curious,” he said at last, trying to shrug.
“It’s just a house,” the old man said. “Or it was before terrible things began to happen. Lord Hopenheim had his country seat there. He was the third cousin of the well-known Lord Hopenheim, Earl of Dunwick Sladge. He had a daughter, an only daughter to whom he left the house and lands. She married well, a knighted poet, I believe, and they lived there on her inheritance for many years and had seven children, three sons and four daughters.”
The fire popped in the now empty tavern. Eerie silence settled in the blue pipe smoke. The old man puffed for a bit then went on. “The eldest son married a fine young lady but they were both killed in a carriage accident. The poet died. Fever overtook him. Not long after that, the second son was lost at sea. The inheritance was running out and so the lady remarried. They say the roses in the garden died the night she brought her new husband home.”
“Who was the new husband?” the shepherd asked.
“Oh, some fine gentleman, I presume. He was distantly related to the Hapsburgs. He had no land, but money, and lots of it. But not all the money in the world could save the eldest daughter. She died of an illness that no one was ever able to identify. The second and third daughters also died, of the same disease is all anyone can guess.”
“What about the fourth daughter? And the third son?” the shepherd asked, leaning closer.
“The youngest daughter was going to tour Europe,” the old man said sadly, “but before she left there was an incident. The last son fell from the roof of the house and died in the garden. They say the girl pushed him. A doctor came from Bamberg and declared her insane. The lord and lady keep her locked in that house and no one comes or goes.”
“No one?”
The old man shook his head. He sucked on his pipe and blew a smoke ring. “If you’re wise, you’ll stay away from that house.”
The shepherd took his sheep over the misty moors the next day and wandered in sight of the old grey house. He peered through the fog at the high window. It was black. The moor was silent. The trees stood still and black, bird-less. No breath of wind touched the grass.
He led his sheep closer. The silence was heavy, glowing. The mist seemed to thicken around the house, greyer and greyer until it solidified into stone. The shepherd led his sheep closer still but not a breath stirred the black curtains.
To the very garden wall he led his sheep, staring up at the high window. The grey was marred with color, blazing, stabbing the shepherd’s eyes with its intensity. From the grey casement of the black window dripped a stream of purest red.
The shepherd stepped over the wall and crossed the garden, eyes riveted upon the red. He stood below the high window and gazed up.
“Hello?” he called, his echo stopped dead in the mist, falling back harshly on his ears.
Silence. Red.
The shepherd picked his way through the thorns to the door and seized the corroded knocker. Bang! Creak. Bang! Creak. Bang! The echo froze in the mist. He might have been trapped in a tiny cell for all the noise it made. The door was wet, dripping tears of decay.
Silence. Red. The shepherd went back to the window and looked up.
“Is any one there? Are you alright?” he yelled into the suffocating fog. He glanced at the ground floor window directly before him. It was also curtained and silent. He looked back up at the high window. Silence. Red.
The curtains on the ground floor flung open. The shepherd cried out and jumped back into a rosebush.
Behind the rippled old glass sat the grey woman in a moldy old wingback chair. Her hair was disheveled, her eyes wide and glassy, blood smeared her white nightgown and hands which were frozen in claws. Her mouth was open in a silent scream, her teeth broken.
The shepherd tore himself out of the rosebush and ran madly through the garden, ripping through thorns and ivy and finally tripping over the wall. His skin crawled violently and dripped with ice. He stared fearfully back at the old grey house.
All of the windows were curtained. Everything was silent but the house seemed to shiver and rise menacingly before him, drawing the fog in around it, darker and darker…He gathered his sheep and herded them away over the misted moors, glancing back every three steps, his neck prickling with eyes that were not there.
What had happened to the girl?
The shepherd found the old man that night at the tavern.
“I went back to the house today,” he stuttered. “I-I saw a corpse in the window! The lady, I think she’s dead!”
“I told you to stay away from there!” the old man exclaimed, crossing himself.
“Someone should go investigate!” the shepherd insisted.
“No, no,” the old man said. “We mustn’t put our foot in the door of Hell. Who knows what might come bubbling out?”
“Something’s happening in that house,” the shepherd said. “Something bad and that girl’s in there…”
“Stay away from Hopenheim House,” the old man said, tapping the ashes out of his pipe and standing. “Please, for your soul’s sake.”
The old man hobbled out of the tavern.
“Someone has to save the girl’s,” the shepherd whispered to himself.
He went back to the house the next day.
As everything had been quiet the day before now all was raucous noise. The wind howled, the naked tree branches clattered, the sheep wailed and loose shutters on the old grey house banged incessantly. The shepherd hunkered in the cold gusts with his sheep, watching the high window for sight of the beautiful girl. The red stain was dark and colorless now.
The angry clouds swirled above him in arcane shapes. The trees cracked behind him and he jumped, looking back at the stand of tall black trees some three hundred yards distant. His sheep nibbled at the grass. The shepherd sat upon a mound. He glanced down at it; he hadn’t noticed it before.  He ran the loose dirt between his fingers. It had been freshly turned. He was sitting directly atop a newly filled grave. He whipped his head up to look at the empty high window.
Then a loud crack! came from behind. Scrambling around on the grave he saw a limb snap from high in the crown of an ancient tree and impossibly sail on the violent wind straight towards him.
He stared, frozen as the limb ripped across the impassable distance. It flew up and crashed down towards his head. He jolted and dove—but not fast enough. The tip of the branch smacked his head.
The pale face appeared in the window. She looked down on the shepherd fallen with the branch beside her mother’s grave and a red tear spilled from her eye. The shepherd did not move. She heard a creak from downstairs. She threw open her window but the shutters slammed on her, blocking out the light of day.
The creak was on the stairs. She pushed at the shutters but they would not open. She beat her fists on them, scrabbled at the splintery wood with her fingers. The creak was in the hall. She took up a candelabrum and banged on the shutters but they would not open. The creak was outside her door. She frantically hammered on the shutters, again and again. They splintered.
Her door creaked open. She faltered. The creak was in her room.
With a violent shiver she gripped the candelabrum and took a step back. The creak was directly behind her. She threw herself with all her might against the shutters.
They broke apart, one falling into the garden, the other swinging loose on a single hinge. Daylight surged in. Her door banged shut. She slowly turned to look over her shoulder. The room was empty.
She climbed out onto the windowsill. The wind whipped her hair around her face and the black curtains flapped like voluptuous wings. The trees crackled like fire and the sheep wailed over their fallen master who lay beside the grave, the branch cradling him like a skeletal hand.
The girl stood on the sill. And jumped.
The wind ceased to howl, the sheep watched in silence.
The streak of white met the earth with a crunch. The sheep bleated in unison and the wind caressed to moors softly. The girl tried to sit up. With a cry of agony she fell back. Her leg was twisted in a peculiar attitude. She tried to rise again, but she could not and she fell back again, but this time she did not rise.
The shepherd awoke to silence as the last hint of daylight faded away. The clouds above were black. The sheep were clustered around him, shivering. A little lamb licked his face. He stood, rubbing his aching head. He peered up at the high window. He saw the dangling shutter. He stumbled closer till he could see over the garden wall. A white shape glowed at the base of the house, just below the high window.
A red flame flickered by the door. The shepherd darted forward and hid behind the stone wall. Peering over it, he saw the flame move across the garden to the white shape, which he could now make out to be the girl.
The flame was carried by an indistinguishable figure. It scooped up the girl and glided back towards the door.
“Stop!” shouted the shepherd, leaping over the wall. The shadow did not stop. The shepherd ran after it. Halfway across, something caught his shin. He fell. Something sliced into his stomach. He cried out. The door banged shut.
The shepherd picked up the rusty scythe and stumbled across the rest of the garden. He threw himself against the door. He tugged on the handle—it came off in his hands. He pounded on the rotten wood, gasping in pain as blood sheeted down his abdomen. Panting, he lurched back and hefted the scythe. It sank into the wood with a squelching thunk. He pulled it out and sank it in again. And again. And again. He fell against the door clutching his wound, resting on the scythe stuck in the door. The wind screamed around him, blowing dead rose petals into his eyes.
He wrenched on the scythe, twisting it from side to side. He could hear the handle splintering. The door squelched and in the blackness of night he felt the wood oozing something slimy onto his skin. He cringed and kicked the door. He felt it cave and a hellishly hot gust of air blasted out into his face.
A bleat from behind startled him. The lamb had followed him into the garden. He turned back to the door and explored it with his hands. There was a hole big enough for him to slide through easily; something thick dripped from the edges.
The shepherd crawled through the hole and fell onto the flagstones inside the house. They were warm. The air was thick and hot, stirring in odd eddies of warmth, heavy with sickening odors of unspeakable things. It was pitch black.
He tried to cover his wound, staunch the flow with his hand, but blood spurted between his fingers. Cold air blew through the gap in the door and hooves clopped on the stones. The lamb had followed him into the house. It nudged his hand away from his stomach and licked at the cut.
The blood slowed. The shepherd’s heart slowed. The lamb nuzzled him. He dragged himself to his feet and leaned on the scythe. He couldn’t see anything. He crept forward, one hand outstretched. He inched across the flagstones. All was silent. Except for a sinister dripping sound. Plop…plop. Hot wind blew on his face.
His outstretched hand met something. Something cold. He spread his palm over it, feeling its odd contours. His stomach dropped as he realized it was a face.
Jerking his hand back he tripped on the lamb and fell. He cowered on the floor, waiting. He couldn’t open his mouth to speak or cry out.
Silence. Hot wind. Warm stones.
He hauled himself up with the scythe. The handle broke and he sprawled in the dark. He stood, shakily, and holding the blade of the scythe in one hand, he felt about in front of him with the handle. Twenty steps and he had met nothing. He didn’t know were the lamb had gone, all was silent.
He bumped something with the broken handle.
A dim red light flared somewhere on the next floor. He could just make out the top of the stairs. He stood at their foot. The hot wind seemed to be wafting down the steps from wherever the red light was. The shepherd inched up the stairs, cringing as they creaked. He was almost to the top, peering down a dark hall and a distant doorway spilling red light onto the wall. Suddenly he felt something.
He spun around and looked up at the shadowy chandelier which he could barely see in the dim light. It was made of strings of black glittering crystals. Shadows lurked among the strands of crystal. He thought he saw eyes glinting, but they were probably just crystals.
Then the chandelier tinkled. Something was moving within it.
The shepherd fled up the last few steps, dropped the broken handle at the top, and ran down the hall. He slammed the door shut and found himself in another hall, lined with curtained windows. At the far end was a giant mirror. Opposite the windows was a door, flung wide open, ruddy light flooding out of it. The shepherd made his way towards the door slowly, hefting the scythe blade.
In the mirror he saw the door he’d just closed opening silently. The shepherd darted through the open door, pulling it shut and ramming the scythe into the floor to block it from opening. He turned around to look at the room he’d just entered.
He was in a library with tall black windows reflecting the glare of a blazing red fire. Books rotted on the shelves and floor, strings of glistening ooze hung from the chandelier and bookshelves. Something dark dripped down the wall.
In the center of the library was a table. Lying on the table amid rotting books and bones was the girl. Her leg was twisted around, her foot nearly level with her elbow. Her fingers and mouth were red. The shepherd limped towards her.
The girl opened her bloody mouth and immediately shut it. The shepherd drew up short as she pointed at the carpet before him. In a pool of blood lay a lump of flesh. The girl pointed at her mouth.
“Your ton—” he stopped, revulsion wracking his body. He rushed to her side and seized her red-stained hand. Her neck and bodice were covered in symbols she’d drawn with her bloody fingers.
Circles, crosses, and squares.
The shepherd looked into her soft grey eyes. A scarlet tear formed in her left eye and streaked her white face. The hot wind stirred her halo of tangled white hair.
“Come,” he whispered to her. She shook her head sadly, glancing down at her broken leg. He squeezed her hand. “I’ll carry you.” Her eyes looked into his with such a potent flood of hope, gratitude and fear that he trembled. Then she glanced over his shoulder and her eyes widened in terror. She opened her mouth in an unintelligible cry.
The shepherd spun around. The library door was bumping against the scythe. Gently, experimentally. Then it blasted open; the scythe snapped with a twang and the fire went out. The room was plunged into stifling darkness. All was silent. The shepherd held his breath, listening, tensed to leap upon the slightest sound.
Something cold seized his arm and flung him across the room before he could even cry out. He slammed into gooey books and fell to the sticky carpet. An ice cold hand gripped the back of his neck and he screamed. It lifted him up and dragged him across the floor. He reached up and seized the frigid arm. He swung a fist in the dark. It plowed through the air as the arm dropped him. His head cracked on something hard. A wordless cry came from the girl.
Lightning flashed outside, illuminating the room for an instant. The stark white image of the girl throwing herself on some dark silhouette burned into his retinas. An inhuman shriek split the air, followed by a snarl and a thud.
Lightning flashed again. The shepherd dove at the dark silhouette. They both fell to the floor, limbs tangling. The dark thing raked his chest with its claws. He tried to grab its throat. It flung him off. He landed across the unconscious girl.
The window glowed with another flash of lightning and the shepherd saw the thing clearly outlined. Tall pointed ears, long spindly fingers with claws. He heard it step towards him in the dark but he couldn’t move. His eyes were fixed on the blackness. His chest heaved with uneven breaths. Another step. And another. Lightning failed to silhouette it as it had moved away from the window, but the light gleamed off its red eyes.
Darkness. The creak was closer. Darkness. Silence. It was right before him, he could feel the cold wafting off it. Darkness. He could feel it reaching out for him. The cold wrapped his face.
“Baaa!”
Lightning flashed. The thing reeled away, arms flung high. The lamb stood in the doorway.
Darkness. The pounding of tiny hooves. The inhuman shriek.
Lightning flash: the lamb leaped at the thing fleeing across the library. Darkness. Lightning.
The thing tripped on a book. Darkness. “Baaa!” The inhuman shriek. Lightning: claws flashing, blood, a cry from the lamb.
The shepherd scooped up the girl and fled, tears streaming down his face. Howls from the thing drove him down the hall. The floor was wet. In a flash of lightning he saw liquid running down the walls. He ran faster, splashing now, through the door, into the next hall. He glanced back and in the curtain-dimmed lightning he saw the silhouette limping after him, one clawed hand outstretched, the other melting at its side, dripping into the ooze on the floor.
The shepherd put on a burst of speed, the girl flopping in his arms like a broken doll. The chandelier glittered in the lightning. He slowed, searching for the top of the stairs.
The thing plowed into his back, sending them all crashing down the stairs. He dropped the girl. The chandelier burst into dark red flame. The shepherd raised his head out of the red sea on the floor. The stairs were a waterfall of blood. The creature, dribbling as bits melted off it, crawled on all fours towards the girl. The shepherd scrambled up, slipping in the ankle deep blood. Red rivulets ran down the walls, dripped from the banisters, and poured over the steps and off the landings. Red fire dribbled from the chandelier, hissing into the blood. The broken scythe handle came over the waterfall and plopped next to the girl.
The creature reached out its dripping claws to grasp the girl.
The shepherd rushed forward, kicked it in the head and snatched up the splintered handle. The creature snarled with its great array of needle-like teeth. The shepherd drew back his arm with the broken handle. The thing lunged for his face.
He plunged the splintery handle into its chest. It sank in deep; the thing’s teeth came to a stop just before his eyelashes. It howled, hurling stinging spittle into his face. He pushed it away and it fell with a splash into the blood.
The shepherd picked up the girl and slid towards the exit.
The creature screamed and raised its arms. Glancing back, the shepherd saw the chandelier swinging towards them. He ran faster, slipping and skidding. The chandelier swung down and the chain snapped. It hurtled towards them.
He dove through the broken door into the stormy night, cradling the girl.
 The chandelier shattered on the floor, bursting through the rest of the door, sending balls of flame flying. The shepherd covered the girl with his body.
Flames and debris rained down around them. Lightning flashed.
The thing inside the house wailed and sank into the blood. The shepherd hefted the girl and stumbled through the garden, away from the crumbling house—the fire, the blood—past the garden wall, down to the grave.
The wind was still. The lightning ceased. The old grey house fell with a roar. Dust billowed up. The shepherd collapsed with the girl on her mother’s grave. He shivered violently. The girl was still but he could feel her gentle heartbeat. His sheep gathered around them.
The clouds parted and moonlight spilled onto the grave. The girl’s eyes fluttered open. She smiled weakly at the shepherd and he pulled her closer. Her eyelashes brushed his cheek in a delicate butterfly kiss. A crystal clear tear fell from her closed lids.
A nightingale began to sing in the trees.

In the morning, the old man led the villagers in search of the shepherd.

They found two bodies lying on a grave surrounded by sheep. The old grey house was gone, only rubble remaining and the rosebushes were heavy with fresh white roses. Birds sang in the trees. The two corpses wore blissful expressions, their eyes sweetly closed in free and merciful death. They still held each other tight, her eyelashes on his cheek.