Showing posts with label zombie. Show all posts
Showing posts with label zombie. Show all posts

Saturday, October 21, 2017

Zombiecon Review

   Why does it take me so long to write these?? Zombie Con was October 7, two whole weeks ago!
   Anyway, it was a really fun event in a really cool venue: the Bing Crosby Theater in Spokane, Washington. It opened in 1915 as the Clemmer Theater, and you can read all about it's fascinating history here.
Bing Crosby theater pit

   It was a relatively small convention, with only about seven vendors, plus the make-up artists. Three zombie authors, including me, were present: Grivante and M. Lauryl Lewis being the (delightful) other two. Then there was Verona the Mad's Crafts and Combobulations, from whom I bought a wonderful clockwork pocket watch, and her friend Belinda (whose link I've lost), maker of beautiful handcrafted clay jewelry! Not sure whose links to put in for the makeup artists, but they were all very talented. But here is the facebook page for zombiecon. It will be returning next year, bigger and better!
   Oh, yes, I forgot: there was a sampling of cast and crew from Z Nation there for a panel!! I sit in on the panel, but it sounded entertaining.
   It was a bit slow some of the time, but so many creative zombies came through! And one of the staff got mobbed by ravening zombie children when he tried to pass out free raffle tickets. I felt a little out of place with my scanty selection of horror-themed items: one out of three books, a few Cthulhu paintings and my Java Zombie mug. (now available on my etsy shop). But I sold a few books! And met more zombie authors and had a good time, so that's the most important thing.
   Not to mention this is the most comfortable costume I've made to date. Mainly because it doesn't involve a neck cloth. I love cravats but they make my neck stiff.
   So once again I was a terrifying zombie! Among many. Can't wait for next year!
A terrifying zombie!





Signed book exchange with Grivante

Reading from Ambulatory Cadavers
Braaaaaains!

Tuesday, October 10, 2017

October Frights! and a Book Excerpt


Hello! Welcome to the October Frights Blog Hop. You can check out the other blogs on the Hop via the link at the bottom of this post. I really enjoyed this last year and I'm happy to be a part of it again. Life has been happening and I'm behind schedule on everything, so to start off, here's the first chapter of my horror comedy novel, Ambulatory Cadavers!

Chapter One: In Which Alice Meets a Strange Young Man of Questionable Occupation

Alice did not want to get married. Not to the squint-eyed, flamboyant, and disagreeable Earl of Chornby with his squeaky voice. However, as the carriage pulled up to Hope Hall, and her own hope extinguished, she thought she might consider the proposal seriously. She did not want to stay at Hope Hall for longer than a minute.
“You’ll stay here until you’ve properly considered your ways and repented,” Lady Crawft told her as the phaeton lurched to a stop. “I can’t believe you told the Earl ‘no.’ It’s appalling. Why, it’s criminal!”
“But Mama!” Alice protested. “I didn’t refuse him. I told him I would consider his offer and reply within the year.”
“That’s not what he said. He said you told him you wouldn’t marry him in a thousand years.”
“The Earl exaggerates,” Alice said.
“Nonsense,” Lady Crawft snapped as the footman opened the phaeton’s door. “You will conjure up a yes or you will stay here forever.”
The footman helped Lady Crawft and Alice down.
Hope Hall loomed over them, an extravagant affair constructed in complete disregard for any moral principles involving moderation or humility. It looked like a bank cross-bred with Michelangelo’s private sculpture collection. Huge Doric pillars spanned the forty-foot-wide front stair. Alice’s uncle, the Duke of Hopenheim, hid among the pillars, a sour look on his face as if he were waiting to be struck.
“Christopher!” Lady Cawft exclaimed. The Duke winced. “You look much worse than last time I saw you, are you getting enough air?” Lady Crawft hauled Alice up to the top of the steps where pleasantries were exchanged at double speed. Uncle H led them inside where more pleasantries were exchanged with Alice’s aloof cousin, Lyra. Lyra was always stunning with her auburn hair curling away from her high brow and her dark eyes, which glinted with a coldness the Devil himself would have found terrifying.
Alice wanted to turn, leap into the phaeton and flee.
Instead, Jeebie, the butler, escorted her to her room.
“Yes, yes,” said Lady Crawft, “take her away, I must apprise my brother of the situation.” Which of course meant telling him Alice had refused an Earl and must be talked into changing her mind, which was Uncle H’s specialty. He was the most influential Member of Parliament, infamous for bringing his staunchest opponents around to his point of view in a matter of minutes. Most of them, anyway.
Once Jeebie had deposited her in her room, she bolted the door and opened her trunk to dig out her copy of Poetry for the Cultured Mind’s Expansion and Refurbishment by E.A. Wandlund. She paused, thinking she heard a funny scratching sound from the wall near the walk-in armoire. Mice, she thought, how appropriate. Her skin crawled and she fled to the chaise by the window with her collection of dry poetry.
She always sat there on her visits to the Hall. She would wrap the gauzy curtains around herself so she could see neither the room nor the garden outside, but the sun would glow golden through the pale yellow curtains and illuminate her book.
It couldn’t have been more than half a heartbeat later that Lady Crawft banged on the door. Alice jumped out of her skin.
“Alice!” Lady Crawft demanded. “Open the door.”
Alice dove out of her curtain shroud and looked about the room for a mode of escape. There was only one door, but the room afforded a ridiculous number of other options. She normally tried not to look around when she stayed here, it was too horrible. Now its many gloomy nooks and crannies seemed delightful.
There was a massive vanity and a washstand with a bowl big enough to bathe a dog in. Perhaps she could hide there. Or under the bed. One could hide a regiment under that bed. In fact, Alice had always been convinced that a there was a regiment under the bed, a dead regiment in open coffins. There was the armoire, but Lyra had always delighted in pulling Alice into the dark stuffy confines and telling her ghost stories about the woman in white who perished in the forest but refused to rest.
“Alice,” Lady Crawft repeated, “open this door at once, I must speak with you on the subject of your marriage.”
Alice darted into the armoire. It was bare. She hadn’t unpacked, which meant that as soon as Lady Crawft opened it, Alice would be exposed. And it sounded as if Lady Crawft was breaking down the bedroom door at that very moment.
Alice’s back pressed against the back of the armoire. Again she heard the mice in the wall; their frantic shuffling mirroring her heart.
“Alice! Open. This. Door. Now!” Alice splayed her hands against the back of the armoire and squeezed her eyes shut. Her finger pressed a knot. The armoire back flipped open, dumping her into a secret passage.
Landing on her derriere in a cloud of dust, she thought, So this was how Lyra snuck into my room to imitate dead soldiers under my bed. Her nose twitched. She sneezed.
“Alice?” Lady Crawft asked.
Alice felt around for the secret door and pushed it closed. Her mother’s demands for immediate matrimony were muted. She stood in the narrow passage and inched along, trailing her hands along each wall. The dark was terrifying. She couldn’t see a thing, but she was so very tired of hearing the tedious reasons for her insalubrious marriage enumerated. She came to another door. She opened it and peered in. It appeared to be the interior of Lyra’s wardrobe. No one else would wear such immodestly adorned gowns, especially not Uncle Hopenheim.
Lyra was not very high on Alice’s list of favorable alternatives to coercion so she closed the door quietly and kept moving down the passage. A light flickered somewhere ahead. Behind her came the distant sounds of Lady Crawft beating on her door.
Alice quickened her pace and fell face-first down a very narrow flight of stairs. She tumbled with a cry of horror into a tiny space. Regrettably, the space was already occupied.
“Ow!” yelped a voice.
Alice gasped wordlessly in shock and pain, her limbs tangling with more limbs that were certainly not hers.
“You’re crushing my arm,” a voice said in her ear. “And most of my other body parts as well.” Alice nearly screamed, scrambling off the invisible person and bashing into the wall rather violently; violently enough to give her a goose egg on the back of her head. Her heart sputtered and nearly died.
There was a scratch and a flare as a flint was struck, then a candle bloomed to life and Alice could see a young man with grey eyes that twinkled rather demonically, through a tangled mass of grey curls – although they seemed to be grey from dust and cobwebs rather than the natural cause of aging. His face was thin and his nose and ears stuck out rather comically. Alice sighed in relief – he wasn’t a dead soldier.
“Oh, hello,” he said, looking at her curiously. “Who are you?”
Alice turned red and tried to stand, but her ankle squealed in protest and she collapsed. “Oh, I’ve broken my ankle!” she exclaimed.
“Gosh,” said the young man, kneeling and setting down his candle. “You shouldn’t go around without a light, you know,” he admonished, taking her foot gently and examining it.
Alice thought she might faint. “You shouldn’t either,” she gasped, not sure why she said it. Lack of air seemed the most logical answer.
“I have a light, I just put it out because I thought one of those horrid Hopenheims was coming,” the young man explained. “Your ankle’s not broken. What are you doing in Hope Hall?”
“The other one.”
“What other Hall?”
“No, my other ankle is broken,” she said, holding it out. She wasn’t sure why; it certainly seemed unlikely he was a doctor. She just wanted someone — anyone — to tell her she was fine. The prospect of lying in bed in Hope Hall was far more terrifying than being alone in a secret passage with a complete stranger whilst being deprived of air.
“What are you doing in Hope Hall?” the young man repeated, looking at her other ankle.
“What are you doing? Who are you?” Alice asked.
“Ah, that would be top secret,” the young man said, winking. Alice was mortified.
“Did you just wink at me?” Alice asked.
“Yes,” he replied, apparently taken aback. “Does that offend you? Your other ankle is also not broken.”
“Yes, that offends me!” Alice said. “I mean, the winking, not the ankle. I mean…it’s very familiar.”
“Ankles are,” the young man nodded, picking up his candle and standing. Alice blushed. She didn’t like his being familiar with her ankles, nor remarking on his familiarity with ankles, hers or otherwise.
She also stood, wincing. It forced her into scandalous proximity with the strange young man. She stared up into the curved nostrils of his epic nose. Behind her were the stairs, up which she very nearly flew, but the strange young man opened a door on the other side of the tiny space and Alice’s curiosity rooted her in place. Where did the secret passages in Hope Hall lead? What was this young man dressed rather like a highwayman doing here? Surely burglars dressed in floppy hats, fingerless gloves and jackets, not greatcoats and scarves?
“Who are you?” Alice demanded. It wasn’t very polite, but she was certain that he wasn’t one of the servants, and so a little rudeness could be excused as he presumably didn’t belong in the house.
“Call me Creamey,” he said. “And you?”
“Alice — I…I mean, Miss Crawft,” she said. She really needed some air. The things one did when deprived were truly quite frightful.
Creamey stepped through the door. Alice thought again of fleeing back up the stairs to her room, but as Creamey vanished into the mysteries of Hope Hall, the candlelight went with him, plunging Alice once more into darkness.
Alice lurched through the door after him. Once back in the light, she proceeded more cautiously. Her left ankle still hurt some when she stepped on it. They emerged in another ridiculously narrow passage with a door at one end and steps going down at the other.
“I see, and your business?” Creamey asked, heading towards the steps.
“This is my cousin’s house.”
“Oh…” Creamey said, stopping at the top of the steps. He turned to her. “Um, ah, you won’t mention seeing me, will you?”
“I don’t see that I shouldn’t,” Alice said, much more bravely than she felt. It occurred to her a shocking number of knives could be concealed in a coat of such voluminous nature. Creamey grinned rather queasily.
“Look…I—” he was cut off by footsteps coming down the stairs behind them. The Duke of Hopenheim’s voice boomed down the passageways.
“Heaven help us all,” he was saying. “I can’t imagine that poet is still alive!” The poet in question was Alice’s father. “What he has to put up with… it makes my skin crawl and my eyes flood with sympathetic tears – and you know how unsympathetic I am.”
“Yes, Papa,” Lyra’s voice answered.
“Dammit,” Creamey said, grabbing Alice’s arm and running down the stairs. Alice bolted gladly. The last thing she wanted was to be caught by her cousin and uncle in secret passageways with a strange young man of questionable occupation.
Her ankle threatened to shatter on each step. They reached the bottom as the door in the passage above creaked open. Alice and Creamey sprinted down a long tunnel lined with alcoves, which held horrible things like, medieval torture devices, casks of vintage wine, a few coffins, some old needlepoint, and a statue of Uncle Hopenheim. The air was musty, and odors of mold drifted on the slight draft that stirred the cobwebs dangling from Uncle H’s graven image.
The passage opened up into an ancient cellar; or perhaps it was a dungeon. There was a barred door on one side and a regular door on the other. Straight across from the tunnel opening was a very old looking wooden door banded by strips of iron with large, wicked looking spikes. A collection of antique weaponry occupied the center of the stone cellar: cobweb-coated trunks and racks of rusted rifles, an old canon, poleaxes, and an assortment of bayonets and blunderbuss parts.
“Which way?” Creamey asked.
“I don’t know!” wailed Alice. “I’ve never been down here before.”
Creamey raced to the ordinary door. He peeked in and closed it. “Crypt,” he pronounced. Alice grabbed a rusty sword from the collection.
“Crypt?” she squeaked. Creamey raced to the barred door. It was locked. Alice followed him to the last door, which stood slightly ajar. The Duke’s voice boomed from the stairs.
“You understand the importance of the marriage, of course?”
“I suppose,” Lyra replied.
Alice frowned. Now they were both on to it… how miserable her stay was going to be. Especially if she got caught down here. She followed Creamey through the door. Creamey’s candle glinted on glass phials, beakers and tubes lined out on tables. There were horrible chains hanging from the ceiling and several metal cots lined in a row. A hulking boiler loomed in one corner and wires curled down the walls to connect with great awful gears and tubes and crank handles.
“God’s molars,” said Creamey. Alice gaped at him. “Pardon,” he amended. Then, looking around, he added, “but in all seriousness, God’s molars and eyeteeth!” There was no exit. They couldn’t go back out into the cellar: Hopenheim and Lyra would have reached the tunnel by now and would see their candle…
Creamey pointed at several large cabinets. He opened one, but it was full of bottles labeled with things like, ‘formaldehyde’ and ‘mandrake.’ There was even a brain floating in a large jar. Alice shuddered, looking away from the horrid, slimy things. Her stomach was already tight with fear, which was probably for the best, or she might have emptied it right there.
The next cabinet contained books with authors like Archimedes, Galen, Ocelot, and Paracelsus. Hopenheim and Lyra’s voices were getting closer.
Creamey dashed over to an iron maiden propped up in the corner. He pushed it open. It must have been put to regular use, the joints well oiled, because it didn’t make a sound. He closed himself in, extinguishing his candle.
Alice was about to protest when the door flew open.

Get the book: https://www.amazon.com/dp/B01LX8TJDL/ref=cm_sw_r_cp_apa_hpDnybN02H2Z3

And hop for more horror!


Saturday, September 2, 2017

I Was A Horrifying Zombie (Sandemonium 2017)

   So, a week later, I finally get around to writing about Sandemonium. It was August 26, so, sorry if you missed it, because it was a blast.
   What is Sandemonium? It is a small, local, friendly, and fantastic fandom convention in Sandpoint, Idaho, a convenient 45 minutes from where I live. The atmosphere is warm and the vendors are always great. From local authors to artists, game-makers to librarians, they've got something to fascinate. This year, the table behind me was Board2Death a game development company with their own role-playing card game (they had their artist there, who had done all the art for the cards). And there was Sack Lunch Comics and Little Vampires
   I experienced pretty good sales, I thought, for such a small event. I got my picture taken with Darth Vader!

   And there was an author reading, in which I participated (read from Ambulatory Cadavers). I also got to meet Kevin Penelerick, with whom I've been acquainted online, ever since he helped me find  networking opportunities after Ambulatory Cadavers was released (he also writes zombie fiction under another name). He read his children's book, Guppy Butter, which is a horrifyingly delightful tale of tragedy and fish. Seriously twisted (I loved it).
   And there was the cosplay contest. Since I won the amateur department last year, and I sewed my entire costume (sans tights and shoes), I had to enter the professional department, against two fabulous D&D characters.
   All of the costumes were really fun and fantastic! From the pirates to the Skyrim character to the soldiers and Pacman.
   The moral of the story? Cons are fun. Although I did miss out on the panels. They had panels on cosplay and writing and self publishing and gaming. Not much boffering this year, but hey. Also, violin covers of rock songs seemed to be the main soundtrack. In my formal Regency get-up, I wanted to dance, but sadly refrained.
    The best part, really, is talking to readers, potential and returning. When you're sitting at a table labeled 'author,' people will walk up to you and start talking about their own writing, and that is the best thing. There's a little pressure, of course, because I want my success to inspire others. And, I guess it must, without my even having to say anything. Otherwise no-one would stop and tell me that they write, read me their excerpts, and discuss the creative process. It's encouraging and I do my best to be encouraging. I want them to get what I get out of our conversations: inspiration to keep going, to keep writing, and keep connecting.
   Writing brings people together, and that, I think, is the true moral of the story.



   p.s. I wore that make-up all day. Couldn't itch my nose for fear of ruining it.

Saturday, December 10, 2016

A New Mythology--Oramon--The Lost Shadow

   Where Nomra’s tears fell upon the earth, there rose the Seroi, the spirits of grief. They were quiet and settled heavily upon the shoulders of the mourners. At last, the mourners drifted away as night fell, each leaving a tear. The tears glistened around the bier of Onera, sparkling in the night. Only Neron would not leave the funeral, he could not bear to leave Onera there in the dark. The Seroi clustered around him and at last he fell asleep beside the body of his daughter.
   Ariaj carried Nomra to Onerae and they alighted silently near the bier. Nomra came and rested her hand upon the forehead of her daughter.
   “I am sorry,” she said. There was no light save the tears in the night. “Rise.”
   Onera opened her eyes.
   Nomra looked into the eyes of her daughter. There was no light within them. Neron woke as the sun rose and saw his daughter standing before him. She had no shadow and her eyes were lifeless.
   “What is this?” Neron asked. “What have you done?”
   “I have tried!” Nomra replied. “And I have failed. There is more to a being than the body and I do not know whence that part has departed. But I swear I will find it, Neron.”
   “You cannot make me love you again,” Neron said.
   “So be it,” said Nomra. “But I will undo what I have done.”
   Ariaj transformed into a giant raven and carried Nomra away. Neron fled from Onerae and the soulless body of Onera and hid himself in a secret ash grove. The body of Onera stayed on the island and no creature dared go near it.
   “We will search the air for her missing spirit,” Nomra said to Ariaj. She sent Triona to search the seas. She sent Phiron to enquire of the Lights in the heavens. They could find nothing.
At last Nomra asked Nemrus, “Have you seen the spirit of your sister?”
   “I watch all the earth and the animals thereof,” said Nemrus. “Onera’s shade passed by me in the night, in the dark it slipped past, she is gone now.”
   “Whence did she depart?” Nomra begged.
   “To a place where Light can never shine,” Nemrus said. “Her shadow has gone down into the earth. She is within Oramon. Beneath the soil and stone in the heart of Darkness. From Darkness she was formed and to Darkness she has returned.”
   “But her body lives!” said Nomra. “I will find her shadow and reunite it with her body. Where did she enter the earth?”
   “I will show you, but you will have to go into the Dark alone, I will not accompany you.”
Nemrus took her to a cleft in the stone far to the north where the mountains glistened always with ice. The cleft was Dark and into the Dark, Nomra stepped. It was a familiar embrace, the embrace of untold time and unknown place. She had slept in the Dark before Time, before Place, before Light.
   “This is a place of shadow,” said Nomra. “How will I find a shadow amongst shadow?”
   “With Fire,” said Phiron. He had followed her and Nemrus to the cleft and come after Nomra into the Dark. His radiance bloomed bright in the shapelessness and Nomra used his luminance to form them a glittering path into the belly of the world.
   Down they went, and on, but no sign of Onera’s shade could they spy.
   “Onera!” Nomra called. “Forgive me for my jealousy. I have wronged you and your father. Come to me that I may make it right.”
   “Mother,” came a voice from the Dark. “I forgive you, but I cannot come back with you.”
   “Why not?” Nomra asked.
   “Because this is the place where future people will come when they die and it is terrible.”
   “Then come with me, leave this place, leave the Dark!”
   “I must stay and make it a pleasant place. A new place of wonder, like the world above, the one that you made.”
   “Come back to the surface,” Nomra begged. “No one need ever die and come to this place. Come back, your father is heartbroken.”
   “Neron…” Onera said. “And Nemrus, Triona, Ariaj and Phiron.”
   “I am here,” Phiron said.
Onera’s shade emerged from the Dark, into Phiron’s light. Tears were on her face. “I’ve missed you so much,” said Onera, trying to embrace Nomra and Phiron, but she could not touch them, for she was only a shade.
   “Let us return to the Light,” Nomra said. “Your body is there.”
   Nemrus was waiting at the mouth of Darkness.
   “Something is wrong,” Nemrus said. “The deer tell me of distress in the forests afar. We must haste to Onerae. But when they came to Onerae, the body of Onera was gone and all of the animals upon the island were dead.
   “The body without spirit does terrible things,” Nomra said. “For so I was when I slew Onera.”
The sea monster had carried Onera’s body to the mainland and now she laid waste a path of death into the forests. Nemrus, Nomra and Onera’s shade followed the trail of lifeless animals and found the body at the base of an ash tree, where it was about to drink the life from Neron.

   “I am empty and seek to fill myself but nothing satisfies,” said the body.
   “We have brought your soul back to you,” Nomra said. “Do not take Neron’s!”
   “I cannot go back in,” Onera cried, “my body has been defiled.”
   “You must,” Nomra said. “Or Neron will be destroyed.”
   So Onera clave unto her body again and let Neron go.
Onera took on a sadness that had not been before. Neron did his best to bring light back to her eyes, and created more beings and creatures for her.

   Nomra no longer favored Amalteron. She spent much of her time in the cleft, upon the crystal path she had made to find Onera, exploring the dark places within Oramon, forming silver caves and rooms of glowing stone. Here she could be alone in a cold place, in the Dark, away from the world and her loved ones. 
   She saw them occasionally when they met upon Amalteron and they would tell her of the new things they had made. But Nomra was silent about her own creations and the things she found sleeping in the Dark. Neron and Onera had forgiven her, but she had not forgiven herself.

Saturday, October 22, 2016

A Regency Tailor's Tale

   Okay, so I cannot lay claim to the title ‘tailor’ and you will soon see why.
   This is the story of how I made my Regency outfit for my zombie costume for my book release party. This is not a how-to. More of a how-not-to.
   I was driven to sewing by desperation.
   Ever since I was little, I liked capes and cloaks and things.
   I wanted costumes, but my Mom wasn’t much of a seamstress, not to say she couldn’t, just wouldn’t. My next stop was the thrift stores around Halloween time. Although we have lovely thrift stores in our area, their costume selections always left much to be desired (and I think they’ve gotten worse since I stopped looking). I had to start making them myself.
   I still used the thrift stores for my fabric purchasing. I didn’t use patterns and I sewed by hand. This was arduous.
   Eventually, I got a hold of a sewing machine (my Grandma brought hers up for my sister. My sister had no interest in sewing and so I took the thing over). My first attempts were shaky. I still didn’t use patterns. Totally cooked it up from my head and while chopping up fabric. When I attempted my first pair of trousers, I finally cut up an old pair of pants and used that for a pattern.
   Then I began making coats. I took an old suit coat and chopped it up for a pattern. The first was a simple copy. 
The first pair of trousers, originally for a Sweeney Todd costume, paired with the first coat for a Mad Hatter. My brother made the hat.

   The second diverged greatly, becoming somewhat reminiscent of  a Regency era coat for last year’s Halloween, inspired by Tanz der Vampire, the German musical with the incredible costumes. Needless to say, I totally winged it with the collar and it’s barely satisfactory. Also, the thrift store is no longer my fabric store. I found gorgeous fabric at a local shop called the Alley Fabric Nook. The drawback to this, is the astronomical prices of fabric. Slide your card and whack bang you spent fifty dollars on cloth!
Tanz Der Vampire costume. I made the waistcoat, coat, cape, and trousers. And ascot, if you can really say that a half sewed together strip of silk is an  ascot.

   Now I’m working on coat number three.
   I started with the waistcoat. This outfit was inspired by Lord Chornby’s unholy getup in Ambulatory Cadavers, and was going to include a paisley waistcoat. I went fabric shopping, this time on amazon, and found some birds I couldn’t pass up. So I made the waistcoat first. And the shirt. This time I decided to actually sew the shirt, too. The shirt turned out rather wild and untamed, but it will be mostly hidden, so I think it will do.
This photo was before I added the ruffles on the shirt cuffs

   I still don’t know how one is supposed to do the tall collars on this style of waistcoat, so this one has issues. I suppose it needs to be sewn in between the outer layer and the lining or something crazy like that, I just sew it straight on and frown when it doesn’t lay how I want. I think this one turned out a little crooked as well, and it’s too tall, so unless the coat collar can keep it in check I’ll have to shorten it or fold it and call it good.
   I almost got a little too ambitious with the coat. I pulled out my copy of The Mode in Costume by R. Turner Wilcox and flipped to the section ‘The French Restoration’ encompassing Louis XVIII, 1815-1824 and Charles X, 1824-1830. I examined the claw and hammer coat tails on those glorious frock coats and couldn’t refrain. 
Frock coat from 'The Mode in Costume'

   Instead of copying the two back panels of my cut up suit coat pattern, I made the back of the coat in four pieces. I didn’t quite succeed in the layering of the claw and hammer, but I got a deluxe-looking back.
Advanced sewing, no? For me, yes. Took some dexterous manipulation.


   It took me three tries to get the collar right. Those Regency era coat collars are so weird looking (in a good way!). How do you make those? I still don’t know. This is just as close as I got.

The pictures make it look better than reality!


Wednesday, October 12, 2016

Ambulatory Cadavers Art and Giveaway!

   The October Frights Blog Hop continues!
   Today we have art and a giveaway!
   I had a post on here about the drive to write and how it's like being a host for some alien intelligence that compels you to write (here it is, if you want to check it out). Writing isn't the only thing I'm a host for. I have an alien compulsion to draw, too. Often it seems to be another facet of the writing compulsion: I have to draw what I write. I like to be able to see my characters and how they dress, since I usually write stories set in another time period, and with Ambulatory Cadavers I had to see them especially clearly, because they would appear on my book cover.
   I've always loved the Regency period. I studied fashion plates and illustrations of the clothing of that period before designing the cover. It had to be authentic.
   Test was of course the most important character to design, being the zombie representative of the book. I think I was sketching ideas in April 2015 when I was writing the first draft. I wanted something decayed but cartoonish, like Plants vs. Zombies. But also somewhat classy and dignified. I think I found the right balance.
Katie M John is the wizard who framed my painting. Wonderful isn't it? And drippy. She is wearing a matching velvet bonnet and spencer: the short jacket popular during the Regency era.

Oil portrait of Test

   The compulsion never ends: I started out testing my new ink dip pens and before I knew it, I had the whole cast of Ambulatory Cadavers. These were really fun to paint: fast and furious.


Asa Crimpton--Artist and Medium. As a professional artist, it is perfectly acceptable for him to view naked women.

Charles von Hopenheim--Not much up in the skull, but lots in the heart, although most of it is futilely directed at his cousin, Lyra.

Creamey--A strange young man of questionable occupation. Is his nose broken or does it have naturally graceful curvature?

Lyra von Hopenheim--Avid scientist and social rebel. Sometimes a coup d'etat is the only answer.

Test--He's really very handsome actually...in a way. But he will eat your hydrangeas. They make a lovely garnish for brains.
Alice Crawft--Lyra's cousin. Doomed to an odious marriage. She enjoys edifying poetry, painting, and the pianoforte.
   If you like these ink dip pen and watercolor portraits, you're in luck, because I'm giving away a set of 5x7 prints! That's six altogether: Alice, Test, Lyra, Creamey, Charles, and Asa. Also, I'm giving away a print of the painting that was used in the book's cover.

a Rafflecopter giveaway

Also, here is a preorder link for Ambulatory Cadavers

An InLinkz Link-up

Tuesday, October 11, 2016

A New World of Horror...and Smelling Salts

   This is sort of a re-post of stuff I had on my Cover Reveal party for Ambulatory Cadavers. It introduces the world of Monezuela were the book takes place.

   Ambulatory Cadavers is my new horror comedy novella, coming October 31!
   Blurb:
   Two cousins. One on the verge of a great discovery—and excessive power, wealth, and infamy—the other on the verge of an odious marriage.
Lyra will stop at nothing to achieve her father’s dream of dissolving Parliament into so much anatomical sludge, searching out the farthest reaches of science and the arcane arts. Until her own dreams begin to awaken, jolted by the electric sparkle of an artist’s eyes.
Alice’s worst nightmares begin to awaken as great expectations weigh upon her and her answer to a very important question is awaited. Lacking a strong constitution, Alice can only run from her problems—until she runs into a strange young man of questionable occupation and discovers her cousin’s terrible plans.
The dead are about to rise, the Lords are about to fall, and things are about to get creamy. And high society will never be the same again.


   Bamberg…the ripest nest of vipers in all Monezuela. In all the world, in fact. I created Bamberg as the setting of my own barber tragedy after watching Tim Burton’s Sweeney Todd, the Demon Barber of Fleet Street. It became the home of many wild tales of darkness and crime. And ridiculously foolish and fashion-prone individuals. I knew that someday I would write about this place, this notorious city and the country of which it is capital: a land without a continent, an un-sunk Atlantis. I did not know that this day would come so soon.
   Bamberg was just waiting to have a story slapped down in its winding streets and catacombs and slums and elaborate parks. So where else could I put the walking dead when they came ambulating across my laptop screen?
   I actually already have an unpublished story lurking around somewhere that was meant to be set in Bamberg, but I don’t think I use the name. At any rate, I think Ambulatory Cadavers is a much better introduction into this comical hive of wickedness. It will ease us gently into this world, a world that really was still somewhat undefined and foggy. We will spend quite a bit of time out in the countryside near the city before diving into the streets and the bloodshed that will ensue.

   Are you ready to follow me into Monezuela and Bamberg? Keep a close eye on your pocket book, your china, your unmentionables and your relatives.



   Review of Ambulatory Cadavers by Mr. Harold B. Farthingale for the Bamberg Daily Discharge

   This is a highly disgusting work of fiction. Hysterical and lewd, it depicts obscene violence in a cavalier manner and plays with words as if they were of no consequence. The characters display little or no remorse for their hideous actions and fall in love with unrealistic candidates. This is sure to give impressionable young people a distorted outlook on life and morals and fill their heads with complete nonsense. 
   Furthermore, blue kissing is metaphorically described in vivid detail and decapitation is portrayed with gruesome and callous abandon. This type of sensational writing is neither skillful nor of remote value. It is frivolous and wicked and should not be purchased, borrowed or hidden beneath stockings in bureau drawers



Saturday, April 4, 2015

A Sneak Peek At My Desk

   The Weather Casters, Book Two: A Hole in the Sea, sequel to A Hole in the Ice. We pick up where we left off, on the lonely ice-shelves of the arctic seas, where the melting ice traps Parsifal, Balder, and company. It isn’t long before the allure of the mermaids pulls them into the other-worldly Sea, another dimension of adventure, if you will…where they meet new characters and more deadly creatures.
   Dioktes is an old sailor who endlessly wanders the uncharted waves of the Sea. He rescues Parsifal and Balder but can they really trust him? Fou is a poor woman who lost her mind in the nightmares of the tossing waves, but she knows every path through the island of flotsam that makes up the pseudo-civilization known as the Port.
   Vassilissa enslaves a pirate captain and enlists the fallen Weather Casters, Davy and Wilma Jones, both of whom have been transformed into hideous monsters, to help her take over the Sea and destroy the Weather Casters.
   Trying to protect The Compass from all those who would misuse It, Parsifal starts to wonder if it means too much to him, perhaps more than his loyal friend Balder. He finds himself at a loss for what to do and where to turn. He must rely on himself, but can he trust himself?
   Coming Soon.
   The tentative date is sometime in October 2015



   As for the zombie fighting:
   I’m 20,000+ words into the first draft of a zombie comedy—a ZomCom—if you will. With a little romance.
   It’s about two cousins, Lyra, bent on world domination, and Alice, who would rather not be involved with anything, particularly marriage to an odious Earl of advanced age. There’s a spy and a necromantic artist as well. And a vegetative Duke. And zombies, of course.
    I had this idea about a girl and her father who has the ability to influence other people’s minds. The necromantic artist featured as well. It was kind of a steampunk Regency.
   I had also written a fragment about a Regency girl who stumbles across a young man and some secret passages in her house, neither of which were supposed to be there, but I didn’t know where to go with it. Then I got addicted to Plants vs. Zombies and I drew a little cartoon inspired by the cute zombies from that game.

   Except that he likes java, not brains. Anyway, Little Bird saw this cartoon and said something about hoping it meant I had an Edwardian zombie story cooking up. I thought, hey! And before long I had those two ideas cobbled together with zombies thrown in the mix to…um, stitch it together.
   Not sure how long this book will take to finish. I’m almost a third through the rough draft, but it’ll take a while to revise, I think. I hope this humor thing works out. The droll tone is hard to maintain sometimes, and I have to be careful not to overdo it. The fun thing is, it’s meant to be cliché. The zombies have a very limited vocabulary: uh, urr, mm, and braaaaains! are their main words.

Anyway, I’m excited about both projects, and I’ll probably have more. I’m considering writing a story about Sir Oaktree and his adventures in Africa, as well.
   And one of these days I'm going to try oil paints.
   So stay tuned! Thanks for dropping by and don't forget to check out the Little Bird Bookstore for all kinds of amazing reads!